Excellent storytelling from a writer with imagination to spare.
A young woman will stop at nothing to help her unique sister.
You think you and your sibling have issues? Ruth Winslow simply cannot relate. Gregory’s novel opens with Ruth, a 26-year-old woman working at a grocery store in New England, hoping to hook up with a man she met at a bar. The mood is ruined when Ruth’s sister, Isabel, appears from out of nowhere and threatens to murder the man, who’s spooked not just for the obvious reasons, but because Isabel is not so much a human being as a porcelain doll. The man flees, and Ruth and Isabel get into an intense argument that leads to Isabel being badly damaged in a fall. Ruth’s attempts to find someone to repair her sister catches the notice of Isabel’s maker, La Fabricante, who lives near Marseille, France, and is determined to get her hands on the doll; she enlists Chiffon, a sociopathic assassin, to travel to New England to find her. Meanwhile, Ruth and Isabel travel to France, hoping to get the doll fixed, initially unaware that their lives are in danger. There they encounter a cast of characters including a crow and a cat and their human familiars, who, with some others, are part of a clan of witches that Ruth and Isabel’s late mother once belonged to. Things, somehow, get weirder from there. The perpetually exasperated Ruth and the pain-in-the-ass Isabel are memorable characters, and their banter will ring true to anyone who’s had a sibling: “You don’t know what it’s like to have a disability,” Isabel says at one point, to which Ruth replies, “Being a bitch is not a disability.” The plot is completely bananas, of course, but Gregory is such an engaging writer, the reader has little choice to buy in—and that’s a good thing. This novel is creepy, hilarious, and just a lot of fun.
Excellent storytelling from a writer with imagination to spare.Pub Date: Oct. 27, 2026
ISBN: 9781616964719
Page Count: 208
Publisher: Tachyon
Review Posted Online: July 20, 2026
Kirkus Reviews Issue: Aug. 15, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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