by Daryl-Jarod ‧ RELEASE DATE: Nov. 3, 2019
An often affecting book of poems about modern romance.
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Relationships are a source of bitterness and occasional bliss in this collection of confessional verse.
In these 82 short poems, Daryl-Jarod addresses the failings and betrayals of his gay speakers’ boyfriends and hookups, as well as their own inner demons, in direct, plainspoken language and imagery. For example, “What About Me” memorializes a selfish lover who “only touches me when he needs release” while “All my needs appear to be obsolete”; “Fuck Boys” deplores one-night stands who “Beg for my body with no intention / Of loving my mind”; and “Hate” excoriates an irresponsible partner: “Who else but YOU would toss away the glove / And attempt to infect me with poison?” Daryl-Jarod addresses neediness in “Damn This Loneliness” (“Double texted you after no response /…Cursed myself for every attempt to feel wanted”) and waxes cynical in “The Truth About Love.” But his speaker feels the pull of exuberant carnality in “The Love Below” (“As your love below expands / …Both of us panting and weeping / Pushing our bodies to insanity / …Those three words / Rest on the tip of our tongues”) and narcotic highs in “Another Hit.” Overall, Daryl-Jarod’s poetry effectively conveys a wide range of emotions, from desolation to tenderness to ebullience. The tension between longing and disappointment prompts a declaration of independence in “Like You Never Existed” and the healthy narcissism of “The Beauty of Self-Love” (“Find yourself a partner / Who appreciates the same beauty / You see when you gaze in the mirror”). The poet also mines the oppression of “being called sissy and faggot” in “I Wonder” and offers a truly ringing cry of solidarity in “A Love Letter 4 U” (“It doesn’t matter if we identify as / GAY or LESBIAN / TRANS or NONBINARY / Our unity makes us stronger than ever”). Readers may find that the poems in this collection sometimes come off as self-involved, which make the set as a whole feel uneven. Overall, though, the poems evoke the rush and anxiety of love in a relatable style that’s sure to resonate with many readers.
An often affecting book of poems about modern romance.Pub Date: Nov. 3, 2019
ISBN: 978-1-945748-13-4
Page Count: 129
Publisher: Daryl-Jarod Entertainment
Review Posted Online: Feb. 12, 2020
Kirkus Reviews Issue: March 15, 2020
Review Program: Kirkus Indie
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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