Better appreciated as an energetic parade of characters and voices rather than a straightforward narrative.
A Chicago-set novel about a troubled young man trying to reach his potential, aided—or hindered—by a cast of colorful characters.
This book has a premise as direct and familiar as a screenwriter’s log line: a young man named Simon, having recently overcome a stutter, sets out to fulfill his dream of becoming a voice-over artist. Sounds simple, but author Reidy (Captive Audience: Stories, 2009) does all he can to complicate it. Consider, first, the family dynamic: Simon’s mother is dead after years of wasting her life with Simon’s father, an alcoholic with his own stuttering problem. Also consider: Simon hasn’t just overcome a stutter—he has emerged from 18 years without speaking. Meanwhile, Simon’s brother, Connor, is building his career in improvisational comedy; he has always been verbose and witty—an obvious shadow cast over Simon’s silence. Also, there are the numerous women in Simon’s life: ex-girlfriends, current love interests, and his troubled talent agent. As a voice-over artist might say in a commercial: you get all this and more! With the story summarized, the novel’s busyness shows. Reidy is restless, moving from narrator to narrator; nearly all the major characters get his or her own section, all in first person (except, shrewdly, for a chapter about Simon before he found his voice, narrated in third). As a result, the novel often feels like it’s stopping and starting; halfway in, readers may think the main narrative hasn’t even begun. But the voices and characters themselves are rich and varied—a reminder that plot, slavishly tended to, can result in stuffy prose. Here, Reidy has fun, and isn’t that sometimes the raison d’être for clear, familiar premises? The more solid the outline, the more fun it is to color outside of it.
Better appreciated as an energetic parade of characters and voices rather than a straightforward narrative.Pub Date: Nov. 10, 2015
ISBN: 978-1-94-043055-3
Page Count: 270
Publisher: Curbside Splendor
Review Posted Online: Aug. 16, 2015
Kirkus Reviews Issue: Sept. 1, 2015
A flabby, fervid melodrama of a high-strung Southern family from Conroy (The Great Santini, The Lords of Discipline), whose penchant for overwriting once again obscures a genuine talent. Tom Wingo is an unemployed South Carolinian football coach whose internist wife is having an affair with a pompous cardiac man. When he hears that his fierce, beautiful twin sister Savannah, a well-known New York poet, has once again attempted suicide, he escapes his present emasculation by flying north to meet Savannah's comely psychiatrist, Susan Lowenstein. Savannah, it turns out, is catatonic, and before the suicide attempt had completely assumed the identity of a dead friend—the implication being that she couldn't stand being a Wingo anymore. Susan (a shrink with a lot of time on her hands) says to Tom, "Will you stay in New York and tell me all you know?" and he does, for nearly 600 mostly-bloated pages of flashbacks depicting The Family Wingo of swampy Colleton County: a beautiful mother, a brutal shrimper father (the Great Santini alive and kicking), and Tom and Savannah's much-admired older brother, Luke. There are enough traumas here to fall an average-sized mental ward, but the biggie centers around Luke, who uses the skills learned as a Navy SEAL in Vietnam to fight a guerrilla war against the installation of a nuclear power plant in Colleton and is killed by the authorities. It's his death that precipitates the nervous breakdown that costs Tom his job, and Savannah, almost, her life. There may be a barely-glimpsed smaller novel buried in all this succotash (Tom's marriage and life as a football coach), but it's sadly overwhelmed by the book's clumsy central narrative device (flashback ad infinitum) and Conroy's pretentious prose style: ""There are no verdicts to childhood, only consequences, and the bright freight of memory. I speak now of the sun-struck, deeply lived-in days of my past.
Pub Date: Oct. 21, 1986
ISBN: 0553381547
Page Count: 686
Publisher: Houghton Mifflin
Review Posted Online: Oct. 30, 2013
Kirkus Reviews Issue: Sept. 15, 1986
SEEN & HEARD
Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...
Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson.
Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty.
Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.Pub Date: March 18, 2014
ISBN: 978-1-4767-5316-4
Page Count: 384
Publisher: Atria
Review Posted Online: May 6, 2014
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