by Dave Zeltserman ‧ RELEASE DATE: Oct. 16, 2014
Zeltserman has written an entertaining novel but not one that will keep you from turning off the lights.
Humor outweighs the horror in this amusing look at a 15-year-old saving the world.
Henry Dudlow is a typical upper-middle-class teenager. His father is a lawyer, his mother’s a marketing executive, and they live a very comfortable life in Waban, Massachusetts, where “you don’t find too many kids shoveling snow or mowing lawns to earn money.” That was BSD, or Before Seeing Demons. Where most people see normal humans, Henry sees “flaming red skin, yellow eyes, horns, grotesque faces with twisted misshapen noses” all around him. He becomes obsessed with learning the demons’ wicked ways, teaching himself German and Italian to read medieval texts and conducting experiments to track them at various places around Boston. Enter Sally Freeman, a first crush from grade school who moves to Henry’s high school and fans the flames of adolescence to high heat. Henry is now obsessed with both Sally and the demons he’s hunting. Children nearing their fourth birthdays go missing, and Henry makes the connection to a gruesome find in a warehouse in Brooklyn where 39 kids were found caged in some unspeakable ritual. The pattern is repeating in Boston. Henry embraces his calling, drops Sally—temporarily—and commits to saving the children and the world from the gates of hell. The story is told in the form of Henry’s journal, where he keeps a record in case he doesn't survive. Zeltserman manages the voice of a teenager deftly, and the adolescent angst rings true. The demons are almost background to a tale about growing up.
Zeltserman has written an entertaining novel but not one that will keep you from turning off the lights.Pub Date: Oct. 16, 2014
ISBN: 978-1-4683-0960-7
Page Count: 304
Publisher: Overlook
Review Posted Online: Sept. 27, 2014
Kirkus Reviews Issue: Oct. 15, 2014
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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