by David A. Andelman ‧ RELEASE DATE: Jan. 5, 2021
If you’re taking bets on where the next war will break out, this is essential reading.
A look at the world’s flash points for conflict, whose number seems to be growing exponentially.
Andelman has long served as a foreign correspondent for the New York Times and CBS News. He also studied at Harvard with the diplomatic historian Ernest R. May and the one-time master of intelligent realpolitik Henry Kissinger. Both taught him how nations have used—and should use—“lines in the sand” to indicate that beyond a certain point, no foe shall pass, physically or metaphorically. Those lines, themselves metaphorical, were once fairly distinct and relatively few. In Africa 30 years ago, writes the author, there were just two, one of which “surrounded Libya and Qaddafi’s pernicious regime” while the other marked off Chad as a warning against Libyan incursion. Now, he writes, at least 250 million Africans live along flash points such as the ones that divide northern from southern Nigeria and mark off areas contested by groups such as Boko Haram and that are closely monitored by U.S. drones operating out of neighboring Niger. The best of these thou-shalt-not-cross zones are “skillfully drawn and quite clear in their intentions.” The old Iron Curtain might serve as an example, except that the current president of Hungary, Trump ally Viktor Orbán, has ordered a $500 million containment fence built along the border with Serbia, “more high-tech, even more secure than the barrier the Soviets once built along their red line with the West.” Its message: If you’re not Hungarian, stay out. Its subtext: We don’t care that the rest of Europe is “fully united and barrier-free,” especially in a time when nationalist movements are rising in response to non-European immigrants who are, yes, crossing red lines of their own. Andelman’s points are sometimes too repetitively made, but the central truth holds: Everywhere around the world, people are digging in, and there’s a fight sure to come.
If you’re taking bets on where the next war will break out, this is essential reading.Pub Date: Jan. 5, 2021
ISBN: 978-1-64313-648-6
Page Count: 484
Publisher: Pegasus
Review Posted Online: Sept. 28, 2020
Kirkus Reviews Issue: Oct. 15, 2020
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by Guillaume Serina translated by David A. Andelman
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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