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A RED LINE IN THE SAND

DIPLOMACY, STRATEGY, AND THE HISTORY OF WARS THAT COULD STILL HAPPEN

If you’re taking bets on where the next war will break out, this is essential reading.

A look at the world’s flash points for conflict, whose number seems to be growing exponentially.

Andelman has long served as a foreign correspondent for the New York Times and CBS News. He also studied at Harvard with the diplomatic historian Ernest R. May and the one-time master of intelligent realpolitik Henry Kissinger. Both taught him how nations have used—and should use—“lines in the sand” to indicate that beyond a certain point, no foe shall pass, physically or metaphorically. Those lines, themselves metaphorical, were once fairly distinct and relatively few. In Africa 30 years ago, writes the author, there were just two, one of which “surrounded Libya and Qaddafi’s pernicious regime” while the other marked off Chad as a warning against Libyan incursion. Now, he writes, at least 250 million Africans live along flash points such as the ones that divide northern from southern Nigeria and mark off areas contested by groups such as Boko Haram and that are closely monitored by U.S. drones operating out of neighboring Niger. The best of these thou-shalt-not-cross zones are “skillfully drawn and quite clear in their intentions.” The old Iron Curtain might serve as an example, except that the current president of Hungary, Trump ally Viktor Orbán, has ordered a $500 million containment fence built along the border with Serbia, “more high-tech, even more secure than the barrier the Soviets once built along their red line with the West.” Its message: If you’re not Hungarian, stay out. Its subtext: We don’t care that the rest of Europe is “fully united and barrier-free,” especially in a time when nationalist movements are rising in response to non-European immigrants who are, yes, crossing red lines of their own. Andelman’s points are sometimes too repetitively made, but the central truth holds: Everywhere around the world, people are digging in, and there’s a fight sure to come.

If you’re taking bets on where the next war will break out, this is essential reading.

Pub Date: Jan. 5, 2021

ISBN: 978-1-64313-648-6

Page Count: 484

Publisher: Pegasus

Review Posted Online: Sept. 28, 2020

Kirkus Reviews Issue: Oct. 15, 2020

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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