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A RED LINE IN THE SAND

DIPLOMACY, STRATEGY, AND THE HISTORY OF WARS THAT COULD STILL HAPPEN

If you’re taking bets on where the next war will break out, this is essential reading.

A look at the world’s flash points for conflict, whose number seems to be growing exponentially.

Andelman has long served as a foreign correspondent for the New York Times and CBS News. He also studied at Harvard with the diplomatic historian Ernest R. May and the one-time master of intelligent realpolitik Henry Kissinger. Both taught him how nations have used—and should use—“lines in the sand” to indicate that beyond a certain point, no foe shall pass, physically or metaphorically. Those lines, themselves metaphorical, were once fairly distinct and relatively few. In Africa 30 years ago, writes the author, there were just two, one of which “surrounded Libya and Qaddafi’s pernicious regime” while the other marked off Chad as a warning against Libyan incursion. Now, he writes, at least 250 million Africans live along flash points such as the ones that divide northern from southern Nigeria and mark off areas contested by groups such as Boko Haram and that are closely monitored by U.S. drones operating out of neighboring Niger. The best of these thou-shalt-not-cross zones are “skillfully drawn and quite clear in their intentions.” The old Iron Curtain might serve as an example, except that the current president of Hungary, Trump ally Viktor Orbán, has ordered a $500 million containment fence built along the border with Serbia, “more high-tech, even more secure than the barrier the Soviets once built along their red line with the West.” Its message: If you’re not Hungarian, stay out. Its subtext: We don’t care that the rest of Europe is “fully united and barrier-free,” especially in a time when nationalist movements are rising in response to non-European immigrants who are, yes, crossing red lines of their own. Andelman’s points are sometimes too repetitively made, but the central truth holds: Everywhere around the world, people are digging in, and there’s a fight sure to come.

If you’re taking bets on where the next war will break out, this is essential reading.

Pub Date: Jan. 5, 2021

ISBN: 978-1-64313-648-6

Page Count: 484

Publisher: Pegasus

Review Posted Online: Sept. 28, 2020

Kirkus Reviews Issue: Oct. 15, 2020

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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