by David A. Andelman ‧ RELEASE DATE: Jan. 5, 2021
If you’re taking bets on where the next war will break out, this is essential reading.
A look at the world’s flash points for conflict, whose number seems to be growing exponentially.
Andelman has long served as a foreign correspondent for the New York Times and CBS News. He also studied at Harvard with the diplomatic historian Ernest R. May and the one-time master of intelligent realpolitik Henry Kissinger. Both taught him how nations have used—and should use—“lines in the sand” to indicate that beyond a certain point, no foe shall pass, physically or metaphorically. Those lines, themselves metaphorical, were once fairly distinct and relatively few. In Africa 30 years ago, writes the author, there were just two, one of which “surrounded Libya and Qaddafi’s pernicious regime” while the other marked off Chad as a warning against Libyan incursion. Now, he writes, at least 250 million Africans live along flash points such as the ones that divide northern from southern Nigeria and mark off areas contested by groups such as Boko Haram and that are closely monitored by U.S. drones operating out of neighboring Niger. The best of these thou-shalt-not-cross zones are “skillfully drawn and quite clear in their intentions.” The old Iron Curtain might serve as an example, except that the current president of Hungary, Trump ally Viktor Orbán, has ordered a $500 million containment fence built along the border with Serbia, “more high-tech, even more secure than the barrier the Soviets once built along their red line with the West.” Its message: If you’re not Hungarian, stay out. Its subtext: We don’t care that the rest of Europe is “fully united and barrier-free,” especially in a time when nationalist movements are rising in response to non-European immigrants who are, yes, crossing red lines of their own. Andelman’s points are sometimes too repetitively made, but the central truth holds: Everywhere around the world, people are digging in, and there’s a fight sure to come.
If you’re taking bets on where the next war will break out, this is essential reading.Pub Date: Jan. 5, 2021
ISBN: 978-1-64313-648-6
Page Count: 484
Publisher: Pegasus
Review Posted Online: Sept. 28, 2020
Kirkus Reviews Issue: Oct. 15, 2020
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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