Though copious with historical information—surprisingly relevant in light of current history—Ball (China Run, 2002, etc.)...
Sweeping historical adventure culminates in the 16th-century Battle of Malta.
It’s 1552. Eleven-year-old tomboy Maria and younger brother Nico are searching Malta’s caves for hidden treasure when a Moslem slave ship arrives and Nico is kidnapped. After the Christian knights who control the island, including the imperious Grand Master, scoff at Maria’s audacious demand that they give chase, she grows up with a deep resentment for these patriarchal rulers. With friend Elena, she studies Judaism and, even more unforgivably, reading. Her tutor is benevolent Father Salvago, who develops an uncontrollable passion for his pupil and, in a fit of lust, rapes her. Maria finds neither comfort nor justice: even her own father blames the assault on his daughter. Nico, meanwhile, navigates a dangerous voyage to adulthood. His youthful beauty helps him escape death and lands him in the household of wealthy El Hadji Farouk, who intends to groom him as a paramour. Treachery and jealousy pervade the Farouk estate, but Nico is mentored and protected there by shipbuilder Leonardus. After many dangerous episodes, Nico escapes, eventually converting to Islam and becoming the protégé of corsair leader Dragut Raïs. Nico changes his name to Asha, and rises steadily to a command position. A third protagonist, Christien, raised as a nobleman in France and groomed to be a knight, also becomes a warrior, though he eschews chivalry in order to follow a secret study of medicine. When mother Simone breaks her leg, Christien takes the necessary step of amputating. He saves her life but earns exile and becomes a Christian knight, his medical skill facilitating a quick rise in the knighthood. The groundwork having been laid, Ball provides a climactic, masterful, action-packed, and brutal panorama of the great battle.
Though copious with historical information—surprisingly relevant in light of current history—Ball (China Run, 2002, etc.) anchors it all in character. A winning combination.Pub Date: Jan. 6, 2004
ISBN: 0-385-33601-2
Page Count: 672
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2003
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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