Though copious with historical information—surprisingly relevant in light of current history—Ball (China Run, 2002, etc.)...
Sweeping historical adventure culminates in the 16th-century Battle of Malta.
It’s 1552. Eleven-year-old tomboy Maria and younger brother Nico are searching Malta’s caves for hidden treasure when a Moslem slave ship arrives and Nico is kidnapped. After the Christian knights who control the island, including the imperious Grand Master, scoff at Maria’s audacious demand that they give chase, she grows up with a deep resentment for these patriarchal rulers. With friend Elena, she studies Judaism and, even more unforgivably, reading. Her tutor is benevolent Father Salvago, who develops an uncontrollable passion for his pupil and, in a fit of lust, rapes her. Maria finds neither comfort nor justice: even her own father blames the assault on his daughter. Nico, meanwhile, navigates a dangerous voyage to adulthood. His youthful beauty helps him escape death and lands him in the household of wealthy El Hadji Farouk, who intends to groom him as a paramour. Treachery and jealousy pervade the Farouk estate, but Nico is mentored and protected there by shipbuilder Leonardus. After many dangerous episodes, Nico escapes, eventually converting to Islam and becoming the protégé of corsair leader Dragut Raïs. Nico changes his name to Asha, and rises steadily to a command position. A third protagonist, Christien, raised as a nobleman in France and groomed to be a knight, also becomes a warrior, though he eschews chivalry in order to follow a secret study of medicine. When mother Simone breaks her leg, Christien takes the necessary step of amputating. He saves her life but earns exile and becomes a Christian knight, his medical skill facilitating a quick rise in the knighthood. The groundwork having been laid, Ball provides a climactic, masterful, action-packed, and brutal panorama of the great battle.
Though copious with historical information—surprisingly relevant in light of current history—Ball (China Run, 2002, etc.) anchors it all in character. A winning combination.Pub Date: Jan. 6, 2004
ISBN: 0-385-33601-2
Page Count: 672
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2003
BOOK REVIEW
BOOK REVIEW
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK TO SCREEN
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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