Fans of CSN(Y) may find this disenchanting, but Browne delivers an excellent portrait of a troubled partnership.
A warts-and-all—mostly warts—look at the legendary musical group.
Judging by Rolling Stone contributing editor Browne’s (So Many Roads: The Life and Times of the Grateful Dead, 2015, etc.) latest book, it’s altogether improbable that all four members of Crosby, Stills, Nash & Young should still be alive and perhaps even more improbable that they smoothed out their feuds and egomania enough to record together for so long. The story begins with David Crosby and Stephen Stills plotting to lure Graham Nash from the Hollies. Characteristically, the three can’t agree on where they first sang together, but it appears to have been a Hollywood street outside a club where the British band was playing in February 1968. Stills emerges in these pages as a stern taskmaster given to running the trio—and, intermittently, quartet, with the addition of fellow Buffalo Springfield alum Neil Young—as a military outfit, staying up with chemical help for days at a time to get exactly the right sound down on tape. For his part, Nash often figures as peacemaker and go-between, although Browne makes it clear that the peace-and-love avatar has both an ego and a temper. Throw the head-in-the-clouds Crosby into the mix, and it’s a perfect recipe for volatility—and magic. The author appears to have talked to nearly every living soul with a part to play in the band’s long career, except for Stills and Young, who disagreed on nearly everything about the group but came together in keeping mum. Says Crosby, meaningfully, “We had a good band. It was easy. I made a good paycheck. But we had gotten to the point where we really didn’t like each other.” Though the narrative takes some of the bloom off the Flower Power rose, it also celebrates those fine moments when the band merged to make such epochal songs as “Suite: Judy Blue Eyes” and “Ohio.”
Fans of CSN(Y) may find this disenchanting, but Browne delivers an excellent portrait of a troubled partnership.Pub Date: April 2, 2019
ISBN: 978-0-306-90328-1
Page Count: 480
Publisher: Da Capo
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
PROFILES
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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