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GOODBYE 20TH CENTURY

A BIOGRAPHY OF SONIC YOUTH

Overwritten yet strangely dispassionate sound and fury, signifying far less than Sonic Youth’s ardent, explosive music.

Alt-rock noise icons of the ’80s and ’90s receive an exhausting bio.

Music scribe Browne (Dream Brother: The Lives and Music of Jeff and Tim Buckley, 2001, etc.) wrestles at unsatisfying length with the music and career of Sonic Youth. Much of the early going is devoted to Connecticut-raised guitarist Thurston Moore’s apprenticeship in the ’70s New York punk scene and California-bred bassist Kim Gordon’s in the L.A. art world. In the East Village, the couple (who would later wed) hooked up with guitarist Lee Ranaldo, whose work with avant-noise axeman Rhys Chatham was mirrored by Moore’s tenure with the influential racket-monger Glenn Branca. With first drummer Bob Bert and latter-day skinman Steve Shelley, Sonic Youth created a flurry of forceful, inspired independent-label albums that melded battering detuned guitar work, hardcore punk energy and elusive pop-culture references to make them the darlings of the post-punk indie underground. Following the release of their two-LP 1988 masterwork Daydream Nation, the band began an uneasy but lucrative two-decade stint with major label Geffen Records, whose delusional executives believed their abrasive, experimental music could attain the same immense commercial success as pop-friendly grunge hitmakers Nirvana. Browne’s recounting is awash in factoids that swamp the narrative. He is so intent on supplying details, no matter how minuscule or irrelevant, that the forest is swiftly obscured by the multitudinous trees. Judicious editing could have reduced the book’s arduous length by a quarter; it could also have cut down on the clichéd rock-crit adjective slinging with which Browne attempts to explicate Sonic Youth’s complex music. Though the band members and their longtime associates sat for interviews, only Ranaldo is especially self-revelatory; Shelley seems merely petulant, while Moore and Gordon, whose career-long personal and professional relationship is the core of the tale, are extremely guarded.

Overwritten yet strangely dispassionate sound and fury, signifying far less than Sonic Youth’s ardent, explosive music.

Pub Date: June 1, 2008

ISBN: 978-0-306-81515-7

Page Count: 320

Publisher: Da Capo

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2008

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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