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MURDER AT TEAL'S POND

HAZEL DREW AND THE MYSTERY THAT INSPIRED TWIN PEAKS

A so-so murder mystery best left for fans of Twin Peaks.

A pop-culture writer and podcaster attempt to solve a 120-year-old cold-case murder in upstate New York.

Bushman and Givens are in thrall to David Lynch’s Twin Peaks, about which Bushman has written and Givens has devoted a podcast. On the TV show, a woman named Laura Palmer turns up dead, and it’s up to investigators and curious townies to examine a barrel of red herrings before hazarding a provisional truth. So it is with the case of Hazel Drew, “beautiful, blonde, and connected to a number of powerful men,” whose dreadfully swollen body was recovered from a pond not far from Troy, New York, in 1908. The real-life gruesomeness is classic Lynch territory, though more reminiscent of his film Blue Velvet than of the relatively civilized series. Investigators in the Drew case hazarded any number of guesses, many of which concerned the young woman’s character. Though from a hardscrabble background, with an alcoholic, chronically unemployed father, she had some money and nice things, and the conclusion was that she must have come by them by illicit means. The authors paint a detailed portrait of a police force—indeed, a whole city—riven by petty politics and undermined by corruption. They are also hopelessly bound to Twin Peaks. “Sand Lake, we found out, has twin peaks of its own: Perigo Hill, in the northeast corner of the town, and Oak Hill, near the center, each rising to an elevation of nine hundred feet,” they write, a point that contributes nothing to the tale. The looping narrative is dogged by other annoyances, including the authors’ habit of peppering the narrative with far too many rhetorical questions: “Where was Hazel going when she left Union Station on Monday, July 6? Where did she spend Monday night and Tuesday morning?” Their proposed solution stands up to reason, but by the time they arrive at it, readers could be forgiven for abandoning the chase.

A so-so murder mystery best left for fans of Twin Peaks.

Pub Date: Jan. 1, 2022

ISBN: 978-1-5420-2643-7

Page Count: 336

Publisher: Thomas & Mercer

Review Posted Online: Oct. 25, 2021

Kirkus Reviews Issue: Nov. 15, 2021

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MY FRIEND DAHMER

An exemplary demonstration of the transformative possibilities of graphic narrative.

A powerful, unsettling use of the graphic medium to share a profoundly disturbing story.

If a boy is not born a monster, how does he become one? Though Backderf (Punk Rock and Trailer Parks, 2008) was once an Ohio classmate of the notorious Jeffrey Dahmer, he doesn’t try to elicit sympathy for “Jeff.” Yet he walks an emotional tightrope here, for he recognizes that someone—maybe the other kids who laughed at and with him, certainly the adults who should have recognized aberration well beyond tortured adolescence—should have done something. “To you Dahmer was a depraved fiend but to me he was a kid I sat next to in study hall and hung out with in the band room,” writes the author, whose dark narrative proceeds to show how Dahmer’s behavior degenerated from fascination with roadkill and torture of animals to repressed homosexuality and high-school alcoholism to mass murder. It also shows how he was shaken by his parents’ troubled marriage and tempestuous divorce, by his emotionally disturbed mother’s decision to move away and leave her son alone, and by the encouragement of the Jeffrey Dahmer Fan Club (with the author a charter member and ringleader) to turn the outcast into a freak show. The more that Dahmer drank to numb his life, the more oblivious adults seemed to be, letting him disappear between the cracks. “It’s my belief that Dahmer didn’t have to wind up a monster, that all those people didn’t have to die horribly, if only the adults in his life hadn’t been so inexplicably, unforgivably, incomprehensibly clueless and/or indifferent,” writes Backderf. “Once Dahmer kills, however—and I can’t stress this enough—my sympathy for him ends.”

An exemplary demonstration of the transformative possibilities of graphic narrative.

Pub Date: March 1, 2012

ISBN: 978-1-4197-0216-7

Page Count: 224

Publisher: Abrams ComicArts

Review Posted Online: Dec. 17, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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UNDER THE BRIDGE

A tour-de-force of true crime reportage.

Godfrey reconstructs a horrific murder with a vividness found in the finest fiction, without ever sacrificing journalistic integrity.

The novel The Torn Skirt (2002) showed how well the author could capture the roiling inner life of a teenager. She brings that sensibility to bear in this account of the 1997 murder of a 14-year-old girl in British Columbia, a crime for which seven teenage girls and one boy were charged. While there’s no more over-tilled literary soil than that of the shocking murder in a small town, Godfrey manages to portray working-class View Royal in a fresh manner. The victim, Reena Virk, was a problematic kid. Rebelling against her Indian parents’ strict religiosity, she desperately mimicked the wannabe gangsta mannerisms of her female schoolmates, who repaid her idolization by ignoring her. The circumstances leading up to the murder seem completely trivial: a stolen address book, a crush on the wrong guy. But popular girls like Josephine and Kelly had created a vast, imaginary world (mostly stolen from mafia movies and hip-hop) in which they were wildly desired and feared. In this overheated milieu, reality was only a distant memory, and everything was allowed. The murder and cover-up are chilling. Godfrey parcels out details piecemeal in the words of the teens who took part or simply watched. None of them seemed to quite comprehend what was going on, why it happened or even—in a few cases—what the big deal was. The tone veers close to melodrama, but in this context it works, since the author is telling the story from the inside out, trying to approximate the relentlessly self-dramatizing world these kids inhabited. Given most readers’ preference for easily explained and neatly concluded crime narratives, Godfrey’s resolute refusal to impose false order on the chaos of a murder spawned by rumors and lies is commendable.

A tour-de-force of true crime reportage.

Pub Date: Oct. 1, 2005

ISBN: 0-7432-1091-3

Page Count: 368

Publisher: Simon & Schuster

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: July 15, 2005

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