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STATE OF THE UNION

Clunky Clancy-esque government insider tale of an attempted Washington coup d'etat and the brooding Green Beret who stops it, by a former US foreign-policy analyst. After a well-received biography of Cold Warrior Paul Nitze (Dangerous Capabilities, 1990) and a foreign policy primer (Between Two Worlds, not reviewed), this fictional turn from Callahan, resident scholar at the Twentieth Century Fund, suffers from tediously predictable plotting and prose that begs for a salvo of editorial smart bombs: The desirable gal Friday of one of the book's half-dozen villains ``slung barbs with pursed lips and responded to attacks with either slashing wit or feminine pouting. Everything about her was inviting.'' Special Forces Lieutenant Zach Turzin, having just won the Congressional Medal of Honor for leading a commando raid into Iraq, is recruited to the staff of Admiral Jeff Forsten, the blustering, right-wing vice chairman of the Joint Chiefs of Staff whose spirited lust for combat during the Vietnam War cloaks a history of covert heroin smuggling and arms trading. Forsten introduces Turzin to Douglas Sherman, a wealthy, failed presidential candidate whose shadowy relations with Hong Kong businessman Donald Chen and terrorist chieftan Sheik Abdul Tabrata would make any remotely intelligent American officer quit the corps. Persuading himself that these just might be decent fellows, Turzin, who gets nightmares about his best buddy's tragic death back in Iraq, beds Justine, Sherman's barb-slinging mistress, while, in Oman, the chairman of the Joint Chiefs is murdered in an apparent terrorist attack. Hoping to disprove nasty rumors about Forsten's complicity, Turzin finds Forsten and company heading a complicated conspiracy aimed at wiping out most of the executive and legislative branches of government by blowing up the Capitol during the State of the Union address. Cautionary, ineptly written Pentagon procedural weighed down by flabby characterizations, limp dialogue, and a pile of mangled corpses. (Film rights to MGM)

Pub Date: June 2, 1997

ISBN: 0-316-12490-7

Page Count: 384

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1997

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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