This rollicking romp seamlessly blends characters, history, and adventure into an enjoyable read.
One of America’s greatest tinkerers learns that not all inventions are good ideas.
If an author is going to write a speculative novel, why not start with a folk hero like Thomas Alva Edison, who contributed so much to modern life? Church’s tale begins in 1887, when Edison is inspired to create an unusual invention after attending—with Mark Twain—a séance by the psychic Madame Blavatsky. The story then jumps ahead to 1918 during World War I. Edison has asked his assistant, John Dawkins, to direct a movie in New Jersey featuring Ziegfeld star Emily Auburn and music by her young accompanist, George Gershwin. The production is attacked by Germans on a military mission. Edison tells John that the Germans are “spies” who want “to sabotage my greatest invention.” The Germans later destroy Edison’s resurrector, a device that communicates with the dead. Seeking to escape the Germans, Edison and his party flee to his secret lab in a Seminole village in Florida, where he keeps a second copy of the resurrector. They are captured by a U-boat while attempting to outrun the Germans on Edison’s electric launch. They are taken to Germany, where they discover that a spy inside Edison’s company has built a deficient version of the resurrector, which the inventor is now expected to fix. The group must find a way to escape and warn some newly arrived American troops of a planned German ambush. Like Emily, Church delightfully sings in this rip-roaring novel. He artfully weaves together real-life characters like Edison and Gershwin with fictional ones, including John and Emily, to create a gripping adventure. The author utilizes Edison’s longtime passion for creating a machine that talks with the dead, placing it at the heart of this story. Lending an authenticity to the backdrop of the caper are Edison’s inventions, both successes and failures. With the exception of the wily inventor, the main characters undergo transformations during the turmoil. Church has even introduced a romance between John and Emily, which becomes the primary motivation for both players. The German officers are predictably venal but distinctive. Following a tragic twist, the book’s conclusion still points toward a hopeful future.
This rollicking romp seamlessly blends characters, history, and adventure into an enjoyable read.Pub Date: Jan. 13, 2022
ISBN: 978-0-578-32484-5
Page Count: 331
Publisher: Ferrisville Publications
Review Posted Online: May 11, 2022
Review Program: Kirkus Indie
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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