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UNDER THE BLACK FLAG

THE ROMANCE AND THE REALITY OF LIFE AMONG THE PIRATES

Cordingly, a former head of exhibitions at the National Maritime Museum in Greenwich, England, presents a no-frills picture of the early 18th century buccaneer, revealing the basis of our romantic conceptions of pirates. While piracy in that era was not a prescription for longevity, it brought lasting fame to its practitioners, their images are mythically enshrined in the works of Defoe, Robinson, Stevenson, and later in Hollywood epics. The origin of pirate careers was often rather prosaic: Many of the buccaneers of the Caribbean were poor laborers or out-of-work sailors from European navies; most got their start on merchant vessels. They preferred small, quick vessels to the three-masted ships portrayed in films, because smaller vessels could take refuge in narrow inlets or escape over shallow sandbars. Pirates were often a democratic lot; crews voted on their destinations and captains; they even had a primitive brand of medical insurance. While their reputation for cruelty can be documented, Cordingly asserts that often pirates killed only if merchantmen resisted and fought back. Not surprisingly, many ships were taken without a struggle. Cordingly also describes some of the fierce women buccaneers; the debauched and free-spending life at the great pirate ports, such as Port Royal, Jamaica; and the truly daring exploits of Frances Drake, Henry Morgan, Blackbeard, Captain Kidd, and other luminaries. There's much interesting arcana, ranging from the design of pirate flags (the Jolly Roger was just one design among many) to the pets kept aboard ship (parrots and monkeys were popular). The golden age of piracy ended in the 1720s, when the European navies, for once not occupied in fighting each other, turned their attention to eliminating the sea marauders. Readers who do not mind a somewhat plodding pace will find a great deal that is surprising about the lives of these legendary men (and women). (16 pages b&w photos and maps, not seen) (Author tour)

Pub Date: Sept. 1, 1996

ISBN: 0-679-42560-8

Page Count: 320

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1996

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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LOVE AND OTHER WORDS

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Eleven years ago, he broke her heart. But he doesn’t know why she never forgave him.

Toggling between past and present, two love stories unfold simultaneously. In the first, Macy Sorensen meets and falls in love with the boy next door, Elliot Petropoulos, in the closet of her dad’s vacation home, where they hide out to discuss their favorite books. In the second, Macy is working as a doctor and engaged to a single father, and she hasn’t spoken to Elliot since their breakup. But a chance encounter forces her to confront the truth: what happened to make Macy stop speaking to Elliot? Ultimately, they’re separated not by time or physical remoteness but by emotional distance—Elliot and Macy always kept their relationship casual because they went to different schools. And as a teen, Macy has more to worry about than which girl Elliot is taking to the prom. After losing her mother at a young age, Macy is navigating her teenage years without a female role model, relying on the time-stamped notes her mother left in her father’s care for guidance. In the present day, Macy’s father is dead as well. She throws herself into her work and rarely comes up for air, not even to plan her upcoming wedding. Since Macy is still living with her fiance while grappling with her feelings for Elliot, the flashbacks offer steamy moments, tender revelations, and sweetly awkward confessions while Macy makes peace with her past and decides her future.

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Pub Date: April 10, 2018

ISBN: 978-1-5011-2801-1

Page Count: 416

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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