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BUCKY F*CKING DENT

A sentimental, staccato love letter to baseball, fatherhood, and the passage of time.

A frustrated young writer discovers a surprising redemption when he moves back in with his dying father.

Duchovny (Holy Cow, 2015) follows up his whimsical debut with a far more substantive coming-of-age novel that started life over a decade ago as an unproduced screenplay centered on the infamous 1978 American League East tiebreaker between the Yankees and the Red Sox. Our introduction to this well-captured corner of Americana comes from Ted Fullilove, an Ivy League graduate who largely wastes his potential by smoking pot, tossing peanuts at Yankee Stadium, and puttering around with the Great American Novel. When Ted learns that his long-estranged father, Marty, is dying, he moves back in with the cantankerous old man. Marty is a throwback to another age, a former adman with a secretive past revealed when he asks his son to read the journals he wrote as a younger man. As Ted spends more time with his father, he develops a grudging respect for the profane Marty, whose belligerence belies a whip-smart mind and a deep love for the son he calls “Splinter.” Ted even gets surprised by his own romanticism when he falls for Mariana, a caretaker who warns Ted, “Death is not a story; it can’t be faked out. Death is real. You can’t really keep your father safe.” There’s a comic angle here, too. Marty’s health plummets whenever the Red Sox lose, so Ted mounts an ambitious campaign to fake a winning season with the help of Mariana and Marty’s elderly buddies. A truly funny moment comes later when Ted introduces Marty to the merits of marijuana. Readers who enjoy the story told here would be well-served by seeking out Duchovny’s 2004 directorial debut, House of D, which shares many of the same assets. Duchovny riffs heavily on familiar themes here but still deftly portrays bittersweet nostalgia without lapsing into saccharine theatricality.

A sentimental, staccato love letter to baseball, fatherhood, and the passage of time.

Pub Date: April 5, 2016

ISBN: 978-0-374-11042-0

Page Count: 304

Publisher: Farrar, Straus and Giroux

Review Posted Online: Jan. 19, 2016

Kirkus Reviews Issue: Feb. 1, 2016

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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