A conflicted cow, a Jewish pig and a debonair turkey seek acceptance and enlightenment during a journey across the Middle East. Stop us if you’ve heard this one before….
Long before he became the face of The X-Files’ Fox Mulder or Californication’s Hank Moody, Duchovny earned a master’s degree in English literature from Yale and was on his way to a Ph.D. As it turns out, his debut novel is a charming fable about dignity and tolerance, complete with anthropomorphized animals and replete with puns, double-entendres and sophisticated humor. The book is narrated by Elsie Bovary, a cow on a small farm in upstate New York who has a clear knowledge of the kind of story she is telling. “I don’t know if you’ve read Animal Farm. It seems like that’s a book all human children have to read. Personally I prefer Charlotte’s Web, though spiders can be tricky—Harlot’s Web anybody? (And eight legs? Really? Two or four is the appropriate number of legs, everybody knows this. Maybe five, maybe. Eight seems desperate to me, or indecisive, indulgent even. You know?)” Upon learning how cows are slaughtered, Elsie plots her escape. To aid her efforts, she agrees to team up with Jerry—also known as Shalom—a Torah-reading pig who plans to use kosher dietary laws to his advantage in Jerusalem, and Tom Turkey, who wants to move to Turkey, naturally. After the obligatory training montage, the trio are off in their human disguises, traveling from Turkey to Israel to Palestine and finally Mumbai. Elsie has a very funny narrative voice, dropping bits of screenplay, suggestions for movie stars to cast (Jennifer Lawrence!), and clever but understated nods to pop culture, rock music and the value of faith. Between the book’s sly humor, gently humanist (animalist?) message and wry illustrations by Natalya Balnova, this is a pseudo–children's book that smart adults should greatly enjoy.
An offbeat adventure that reads something like Bill Willingham’s Fables directed by Ralph Bakshi.Pub Date: Feb. 3, 2015
ISBN: 978-0-374-17207-7
Page Count: 224
Publisher: Farrar, Straus and Giroux
Review Posted Online: Dec. 7, 2014
Kirkus Reviews Issue: Dec. 15, 2014
Categories: LITERARY FICTION
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PROFILES
A flabby, fervid melodrama of a high-strung Southern family from Conroy (The Great Santini, The Lords of Discipline), whose penchant for overwriting once again obscures a genuine talent. Tom Wingo is an unemployed South Carolinian football coach whose internist wife is having an affair with a pompous cardiac man. When he hears that his fierce, beautiful twin sister Savannah, a well-known New York poet, has once again attempted suicide, he escapes his present emasculation by flying north to meet Savannah's comely psychiatrist, Susan Lowenstein. Savannah, it turns out, is catatonic, and before the suicide attempt had completely assumed the identity of a dead friend—the implication being that she couldn't stand being a Wingo anymore. Susan (a shrink with a lot of time on her hands) says to Tom, "Will you stay in New York and tell me all you know?" and he does, for nearly 600 mostly-bloated pages of flashbacks depicting The Family Wingo of swampy Colleton County: a beautiful mother, a brutal shrimper father (the Great Santini alive and kicking), and Tom and Savannah's much-admired older brother, Luke. There are enough traumas here to fall an average-sized mental ward, but the biggie centers around Luke, who uses the skills learned as a Navy SEAL in Vietnam to fight a guerrilla war against the installation of a nuclear power plant in Colleton and is killed by the authorities. It's his death that precipitates the nervous breakdown that costs Tom his job, and Savannah, almost, her life. There may be a barely-glimpsed smaller novel buried in all this succotash (Tom's marriage and life as a football coach), but it's sadly overwhelmed by the book's clumsy central narrative device (flashback ad infinitum) and Conroy's pretentious prose style: ""There are no verdicts to childhood, only consequences, and the bright freight of memory. I speak now of the sun-struck, deeply lived-in days of my past.
Pub Date: Oct. 21, 1986
ISBN: 0553381547
Page Count: 686
Publisher: Houghton Mifflin
Review Posted Online: Oct. 30, 2013
Kirkus Reviews Issue: Sept. 15, 1986
Categories: LITERARY FICTION
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SEEN & HEARD
Absolutely enthralling. Read it.
18
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A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 18, 2019
Kirkus Reviews Issue: March 1, 2019
Categories: LITERARY FICTION
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