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IN THE COMPANY OF LIARS

Annoyingly repetitious, especially at midpoint, but amply rewarding at the end—which, of course, is the beginning.

The author of Jury of One (2004), etc., returns with another thriller in which past really is prologue.

Perhaps taking his cue from the film Memento, which tells its story in reverse chronology, Ellis launches his latest with the climaxes of a case that began 11 years earlier. Then, in a series of flashbacks, he works through the clues behind the clues that led to these two events. In the first, the body of best-selling novelist Allison Pagone is found in a blood-splattered bathroom, an apparent suicide. In the second, American forces in the Sudan nab elusive terrorist leader Mushan al-Bakhari in “a moment for which all Americans have waited for years” (meaning Mushan is you know who). How are the events connected? Ellis takes a while to tie these threads together. Initially, he focuses, as in prior novels, on political corruption. Pagone, it seems, killed herself after murdering a lover who was about to finger her ex-husband for bribing U.S. senators to influence their votes on legislation favoring a drug company. One of her earrings turns up at the crime scene, as does a strand of hair bearing her DNA. She also had hacked into the victim’s computer to make it seem he sent her an e-mail that, in turn, she can use as an alibi. Ellis practically drums these and other clues into the reader, perhaps having trouble getting up to speed in reverse. Eventually, he eases up as the terrorism angle becomes integral. It’s revealed that a doctor plans to spike the drug company’s baby aspirin with an undetectable, fatal poison. Plans to foil that plot explain all that precedes and may send some readers back to page one to see how nothing was what it seemed.

Annoyingly repetitious, especially at midpoint, but amply rewarding at the end—which, of course, is the beginning.

Pub Date: April 7, 2004

ISBN: 0-399-15247-4

Page Count: 384

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2005

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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