Spare prose, startling images and an emotional landscape as harsh as the setting.
A bleak coming-of-age debut set in 1940s New South Wales.
Narrator Day, the son of a Viennese Jewish soprano and a rough monosyllabic Scotsman, is 12 when he witnesses his father, Darwin, tying and gagging his mother in bed each night. His mother had been in declining mental health for several years, since a miscarriage and her discovery that her husband was having an affair with Lelonie, a woman who lives and works on their ranch. Then one night, Day sees his father bury his mother in the red sand on the rise by the billabong. She has suffocated. Day runs away, first to the mud brick hut of Leonie, who takes him in overnight (hiding under her bed when his father appears, he finds himself the unwilling witness to their lovemaking). Then he heads to Melbourne, gets a job working with horses and dreams of being a jockey. At 18, he is shipped to a horse farm in Maryland, along with a racehorse named Unusual. He works hard, meets a girl by the name Callie, who also wants to be a jockey, and is drawn into a nocturnal game in which Callie, her groom and he take bets and run races for money. Day is haunted by memories of his mother and of Dickie, the man she seemed attracted to (and who may be his father). Meanwhile, Callie takes off, and Day finds her only six months later, but it seems she’s with another man. He moves to L.A., trains horses, then heads back to Australia, confronts his father and learns some family secrets. Callie sends for him to ride in a race in Mexico, and together they track down Dickie in Santa Barbara. This odd threesome heads down to Australia when Darwin has a stroke. With all the players in one place, Day learns how far he can trust Callie, Dickie and Darwin.
Spare prose, startling images and an emotional landscape as harsh as the setting.Pub Date: May 10, 2005
ISBN: 1-59692-116-1
Page Count: 258
Publisher: MacAdam/Cage
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2005
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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