Almost uniformly excellent—but then when was an anthology from Hartwell ever less?
Award-winning editor/anthologist Hartwell rounds up a sparkling selection of science-fiction stories from 2012.
Standouts: Gregory Benford’s “The Sigma Structure Symphony,” about a future where CETI’s problem is no longer detecting alien signals, but interpreting them; Yoon Ha Lee's "The Battle of Candle Arc," a splendid space-warfare yarn; Gwyneth Jones’ “Bricks, Sticks, Straw,” in which virtual personalities become cut off from their human primaries; and Aliette de Bodard’s “Two Sisters in Exile,” covering the wrenching death of an intelligent spaceship. All four cry out to be expanded into novels and perhaps will be. Not far behind are Paul Cornell’s unusual and thoughtful time-travel variant; Linda Nagata’s chilling look at a future where it may be a crime not to die; Sean McMullen’s charming Napoleonic steampunk yarn; and Eleanor Arnason’s clever and subtle “Holmes Sherlock: A Hwarhath Mystery,” wherein an alien who understands human literature investigates a mystery—no prizes for guessing what the inspiration is. Elsewhere, Megan Lindholm looks at the future of smart cars; Robert Reed ponders smart guns, artificial intelligence and war; a young female investigator enters an ultralibertarian future. Also here: AIs as human therapists; a tidally locked planet with alien life; artificial reality; future medicine; humor from Lewis Shiner (a PC’s revenge), Catherine Shaffer (an ex-CIA operative joins a literary society and gets more than she bargained for) and C.S. Freidman (virtual reality); Andy Duncan stomps on the traditional advice not to write about UFOs; Ken Liu extrapolates humanity into the far future; Paul McAuley observes Antarctica as the ice retreats; plus precognition, satire, physics, ecological collapse, the nature of marriage on Mercury (it’s stranger than one might think) and more.
Almost uniformly excellent—but then when was an anthology from Hartwell ever less?Pub Date: Dec. 10, 2013
ISBN: 978-0-763-3815-0
Page Count: 416
Publisher: Tor
Review Posted Online: Nov. 3, 2013
Kirkus Reviews Issue: Nov. 15, 2013
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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