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BUTTERFLY SUNDAY

A gorgeous crazy quilt of a novel, filled with saints and sinners bent on mayhem, southern-style.

Against her will, a Mississippi preacher’s wife is drawn into a web of madness and murder.

Plagued by troubling visions after the mysterious death of her newborn daughter, Leona Sayres steels herself to murder her husband Averill—whom she believes strangled the infant, then buried the tiny body in the woods. Using rat poison, Leona slowly and skillfully does in the oblivious Averill, but she’s stricken with remorse when he suffers an agonizing death. There are others, meanwhile, who secretly rejoice that the fire-and-brimstone fundamentalist went to hell in a hurry, although there’s no shortage of mourners at his funeral. Averill Sayres was undeniably handsome and known for his sexually charged sermons. More than one woman in the congregation found a kind of sensual salvation in his arms—and would have been equally happy to tear out his cheatin’ heart. Now, a temporary sheriff, Blue Hudson, is brought in to investigate, and, later, shocked—but not surprised—to discover that there were a lot of people with reasons to kill Averill. He’s not at all sure that Leona did the deed, and her vulnerability softens his stalwart heart. Blue Hudson is a man as true as his first name (with a tragic history of his own, like everyone in this richly textured story), and he falls in love with Leona as he searches for the culprit. No one is above suspicion—except, perhaps, Leona’s friend Soames Churchill, the serene young widow of a wealthy and corrupt plantation owner. Soames, a consummate southern belle, is a porcelain-skinned beauty with impeccable taste in the clothes, antiques, and men she collects—although she’s not at all as well-bred and well-meaning as the gullible townsfolk believe. But who’s to tell? Enter Darthula, a poor, elderly black woman with “the sight,” who dresses in brilliantly-colored rags and lives in the haunted swamp—and knows what the respectable people in town most want to keep hidden. Will she reveal the truth at the dark heart of this elegantly constructed mystery? Trust Hill (Sacred Dust, 1996), a master of melodrama who deftly employs time shifts and a style at once spare and lurid, to unfold this gothic tale.

A gorgeous crazy quilt of a novel, filled with saints and sinners bent on mayhem, southern-style.

Pub Date: Nov. 14, 2000

ISBN: 0-385-31862-6

Page Count: 288

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2000

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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