TENORMAN

Storywriter Huddle (Intimates, 1993, etc.) contributes an uncharacteristically stiff piece of work to Chronicle's novella series (see Beeman, above). Henry McKernan is with the NEA's ``American Music Recovery Program,'' so he's pleased when black jazzman Eddie Carnes, who's been living in Sweden and risking death by alcohol there, agrees to live in an NEA-subsidized apartment-cum-music studio near Washington, stay off booze, go out only when he's chauffeured, and let everything he plays be recorded for posterity if not also a career boost. The plan goes well for saxist Carnes, who at 61 enters a fertile period, and for project director McKernan, who declares Carnes ``a major American artist.'' The reader, though, fares less happily, chafing at McKernan's decidedly unhip narrative voice (``Live jazz so intoxicates me that I become happy, childish...''), but also at having to listen to his marital problems (by and large dismal). Bottom is hit when McKernan and wife Marianne listen to tapes made of Carnes's conversation while on a date (the agency keeps him body-wired at all times); it's hard to know whether the less credible thing is what's on these first- date tapesa painfully artificial exchange, over dinner, of first- awareness-of-sex memoriesor the fact that the McKernans actually find their path to the bedroom eased from listening to themeven after Marianne says approvingly of Carnes's dinner companion that `` `she's taken charge of her biological destiny. She's insisting on the value of intelligence and mutual personal inquiry and revelation as legitimate elements of courtship.' '' Huddle's way of dropping names into the storythe Marsalis brothers, for example, who stop in to jam with Carnesadds no psychological authenticity and just further muddies the question as to whether this weirdly stiff-necked tale might have begun life as a satire of federal bureaucrats and the National Endowment before losing its way. Gear-grinding work from an often fine story-crafter.

Pub Date: Oct. 1, 1995

ISBN: 0-8118-1027-5

Page Count: 96

Publisher: Chronicle Books

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 15, 1995

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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Above-average formula fiction, making full display of the author’s strong suits: sense of place, compassion for characters...

TRUE COLORS

Female rivalry is again the main preoccupation of Hannah’s latest Pacific Northwest sob saga (Firefly Lane, 2008, etc.).

At Water’s Edge, the family seat overlooking Hood Canal, Vivi Ann, youngest and prettiest of the Grey sisters and a champion horsewoman, has persuaded embittered patriarch Henry to turn the tumbledown ranch into a Western-style equestrian arena. Eldest sister Winona, a respected lawyer in the nearby village of Oyster Shores, hires taciturn ranch hand Dallas Raintree, a half-Native American. Middle sister Aurora, stay-at-home mother of twins, languishes in a dull marriage. Winona, overweight since adolescence, envies Vivi, whose looks get her everything she wants, especially men. Indeed, Winona’s childhood crush Luke recently proposed to Vivi. Despite Aurora’s urging (her principal role is as sisterly referee), Winona won’t tell Vivi she loves Luke. Yearning for Dallas, Vivi stands up Luke to fall into bed with the enigmatic, tattooed cowboy. Winona snitches to Luke: engagement off. Vivi marries Dallas over Henry’s objections. The love-match triumphs, and Dallas, though scarred by child abuse, is an exemplary father to son Noah. One Christmas Eve, the town floozy is raped and murdered. An eyewitness and forensic evidence incriminate Dallas. Winona refuses to represent him, consigning him to the inept services of a public defender. After a guilty verdict, he’s sentenced to life without parole. A decade later, Winona has reached an uneasy truce with Vivi, who’s still pining for Dallas. Noah is a sullen teen, Aurora a brittle but resigned divorcée. Noah learns about the Seattle Innocence Project. Could modern DNA testing methods exonerate Dallas? Will Aunt Winona redeem herself by reopening the case? The outcome, while predictable, is achieved with more suspense and less sentimental histrionics than usual for Hannah.

Above-average formula fiction, making full display of the author’s strong suits: sense of place, compassion for characters and understanding of family dynamics.

Pub Date: Feb. 9, 2009

ISBN: 978-0-312-36410-6

Page Count: 400

Publisher: St. Martin's

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 15, 2008

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