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THE POPE AT WAR

THE SECRET HISTORY OF PIUS XII, MUSSOLINI, AND HITLER

A riveting history and valuable lesson for our time about the perils of neutrality.

A deeply troubling indictment of the cautious pope who acceded in 1939 and remained “neutral” during the Fascist and Nazi wartime regimes.

In this meticulously researched book, historian Kertzer, who has written extensively on modern papal history (The Pope and Mussolini, The Popes Against the Jews, etc.), makes good use of newly opened wartime archives, sealed since Pius XII’s death in 1958. The evidence of Pius’ silence in the face of repeated calls to stop the atrocities against the Jews and others by the Nazis and Fascists is absolutely damning. Eugenio Pacelli had been Pius XI’s loyal secretary of state, and he spent considerable time appeasing the Nazis since they came to power in 1933—e.g., engineering a concordat with Hitler. Pius XI, who in the early years of his papacy helped Mussolini solidify his dictatorship, eventually became alarmed with the Italian dictator’s ever tightening embrace of the Nazi regime and was indeed becoming outspokenly problematic for the two closest Axis powers. When Pius XI died in February 1939, the ever cautious, scholarly, German-speaking Pacelli became pope—and the best ally the two dictators could hope for. Throughout World War II, he maintained a timorous disposition in the face of their increasing aggression—Kertzer reminds us that “Hitler had long viewed the Duce as his role model”—despite the piles of documentation that reveal how he was frequently informed of the brutalities committed by the Nazis and their willing collaborators. During this time, countless victims beseeched him to stand up and do something as a moral leader. The pope, casting himself as a peacemaker, managed to play his cards skillfully even when the Allies invaded and took pains not to bomb the Vatican. As a result, the institution of the Catholic Church emerged largely unscathed from the war, effectively scrubbing clean its Fascist and Nazi collaboration. Kertzer is to be commended for bringing it all to light in page-turning fashion.

A riveting history and valuable lesson for our time about the perils of neutrality.

Pub Date: June 7, 2022

ISBN: 978-0-8129-8994-6

Page Count: 672

Publisher: Random House

Review Posted Online: May 5, 2022

Kirkus Reviews Issue: June 1, 2022

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THE LOOK

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

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A coffee-table book celebrates Michelle Obama’s sense of fashion.

Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

Pub Date: Nov. 4, 2025

ISBN: 9780593800706

Page Count: 304

Publisher: Crown

Review Posted Online: Nov. 7, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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