A mesmerizing tale of racial inequality and sexual discovery.


In this debut novel, a trio of black teenagers grapples with racial prejudice while a serial killer preys on black children in Atlanta. 

Teens Santos, Luq, and Dion spend much of their days together “wilding out,” trying to pass the time and hustle up some cash. All three of them are perennially strapped for money—Dion, who dresses up like a girl and refers to himself as a lady, turns tricks with men for meager payouts. Santos makes regular visits to a clinic to participate in an experimental initiative that’s eerily similar to the infamous Tuskegee Experiment, darkly and poignantly depicted by Ambrose. At one point, Santos is reduced to fighting in a “faggot in a box,” a brawling match that pits one gay fighter against another, a debasement that fetches him an embarrassing $300 prize. Luq lives in a mostly white suburb—he’s one of seven black students at a high school of 435—and plans to attend the Pittsburgh School of Design after he graduates. Unlike Santos and Dion, he’s deeply conflicted about his sexual identity and a virgin, though he suffers sexual assault at the hands of men more than once in the story. All three wrestle with the burden of racial prejudice, are routinely treated with contemptuous suspicion by the police, and all but dismissed when they turn to officers for help. In his absorbing book, Ambrose hauntingly creates an atmosphere of dread and predation by continually referring to the serial murder of black children in Atlanta in the late 1970s and early ’80s, an epidemic of violent crime that reinforced for many the vulnerability of black communities. This isn’t a plot-driven novel, but the characters are richly drawn and the themes intelligently evoked. The writing swings between a poetically lyrical narrative and grittily authentic dialogue. An older black man, Silas, who still seethes with anger over his unwitting participation in the Tuskegee Experiment, affectingly describes the teens’ collective predicament: “The cops aren’t here to protect you. They here to protect the world FROM you. ‘Cause they convinced the world that we all criminals; ain’t got no value.”

A mesmerizing tale of racial inequality and sexual discovery. 

Pub Date: April 4, 2018

ISBN: 978-0-9987993-9-1

Page Count: 314

Publisher: The TMG Firm

Review Posted Online: June 14, 2018

Did you like this book?

No Comments Yet

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...


Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Did you like this book?

No Comments Yet

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Reader Votes

  • Readers Vote
  • 27

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2020

  • New York Times Bestseller

  • IndieBound Bestseller


Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

Did you like this book?