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STATE OF THE NATION

A mesmerizing tale of racial inequality and sexual discovery.

Awards & Accolades

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In this debut novel, a trio of black teenagers grapples with racial prejudice while a serial killer preys on black children in Atlanta. 

Teens Santos, Luq, and Dion spend much of their days together “wilding out,” trying to pass the time and hustle up some cash. All three of them are perennially strapped for money—Dion, who dresses up like a girl and refers to himself as a lady, turns tricks with men for meager payouts. Santos makes regular visits to a clinic to participate in an experimental initiative that’s eerily similar to the infamous Tuskegee Experiment, darkly and poignantly depicted by Ambrose. At one point, Santos is reduced to fighting in a “faggot in a box,” a brawling match that pits one gay fighter against another, a debasement that fetches him an embarrassing $300 prize. Luq lives in a mostly white suburb—he’s one of seven black students at a high school of 435—and plans to attend the Pittsburgh School of Design after he graduates. Unlike Santos and Dion, he’s deeply conflicted about his sexual identity and a virgin, though he suffers sexual assault at the hands of men more than once in the story. All three wrestle with the burden of racial prejudice, are routinely treated with contemptuous suspicion by the police, and all but dismissed when they turn to officers for help. In his absorbing book, Ambrose hauntingly creates an atmosphere of dread and predation by continually referring to the serial murder of black children in Atlanta in the late 1970s and early ’80s, an epidemic of violent crime that reinforced for many the vulnerability of black communities. This isn’t a plot-driven novel, but the characters are richly drawn and the themes intelligently evoked. The writing swings between a poetically lyrical narrative and grittily authentic dialogue. An older black man, Silas, who still seethes with anger over his unwitting participation in the Tuskegee Experiment, affectingly describes the teens’ collective predicament: “The cops aren’t here to protect you. They here to protect the world FROM you. ‘Cause they convinced the world that we all criminals; ain’t got no value.”

A mesmerizing tale of racial inequality and sexual discovery. 

Pub Date: April 4, 2018

ISBN: 978-0-9987993-9-1

Page Count: 314

Publisher: The TMG Firm

Review Posted Online: June 14, 2018

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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