A colorful read with some rough edges but entertaining throughout.
In 1899 London, the scion of a banking family abandons his wastrel life for a lowly job with the firm that draws him deep into supernatural oddities.
Busy, busy, busy. First there’s Liss, who's known for his historical mysteries but who has also written middle-grade science fiction and Marvel stories—14 full-length novels since 2000, plus short fiction and comic books. Then there’s his latest, a historical fantasy that combines the worlds of high finance and occultism, specifically the Hermetic Order of the Golden Dawn and aberrations such as lycanthropes, ghostly slashers called Elegants, and women giving birth to rabbits. The hero is Thomas Thresher, age 23, who has been doing little beyond gambling and whoring when he’s forced to take a junior clerk’s post with the family bank and get engaged to the daughter of a Jewish businessman (Liss expends an unpleasant amount of ink reflecting period-appropriate antisemitism). With the proposed nuptials and the bank’s problems in mind, Thomas stumbles on puzzling purchases of debts and London buildings. His investigations lead him to a Golden Dawn gathering, which includes William Butler Yeats, Bram Stoker, and Arthur Conan Doyle. He also meets Aleister Crowley, who becomes an ally, as well as a woman who has turned wolflike, while Thomas himself has green leaves growing on him. Many such Peculiars have appeared in London recently, along with a thick fog that has nasty tendrils, all of it tied perhaps to real estate and mystical portals. There are signs of haste in the writing, and Thomas’ frequent bouts of self-doubt slow the pace, but Liss tells his story well, with some nice Dickensian surprises. What’s most fun is when he snaps off a comic line that plays on the absurdities involved: “Yes, he is becoming a plant, but he comes from an excellent family.”
A colorful read with some rough edges but entertaining throughout.Pub Date: Sept. 7, 2021
ISBN: 978-1-61696-358-3
Page Count: 336
Publisher: Tachyon
Review Posted Online: July 9, 2021
Kirkus Reviews Issue: Aug. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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