A colorful read with some rough edges but entertaining throughout.

THE PECULIARITIES

In 1899 London, the scion of a banking family abandons his wastrel life for a lowly job with the firm that draws him deep into supernatural oddities.

Busy, busy, busy. First there’s Liss, who's known for his historical mysteries but who has also written middle-grade science fiction and Marvel stories—14 full-length novels since 2000, plus short fiction and comic books. Then there’s his latest, a historical fantasy that combines the worlds of high finance and occultism, specifically the Hermetic Order of the Golden Dawn and aberrations such as lycanthropes, ghostly slashers called Elegants,  and women giving birth to rabbits. The hero is Thomas Thresher, age 23, who has been doing little beyond gambling and whoring when he’s forced to take a junior clerk’s post with the family bank and get engaged to the daughter of a Jewish businessman (Liss expends an unpleasant amount of ink reflecting period-appropriate antisemitism). With the proposed nuptials and the bank’s problems in mind, Thomas stumbles on puzzling purchases of debts and London buildings. His investigations lead him to a Golden Dawn gathering, which includes William Butler Yeats, Bram Stoker, and Arthur Conan Doyle. He also meets Aleister Crowley, who becomes an ally, as well as a woman who has turned wolflike, while Thomas himself has green leaves growing on him. Many such Peculiars have appeared in London recently, along with a thick fog that has nasty tendrils, all of it tied perhaps to real estate and mystical portals. There are signs of haste in the writing, and Thomas’ frequent bouts of self-doubt slow the pace, but Liss tells his story well, with some nice Dickensian surprises. What’s most fun is when he snaps off a comic line that plays on the absurdities involved: “Yes, he is becoming a plant, but he comes from an excellent family.”

A colorful read with some rough edges but entertaining throughout.

Pub Date: Sept. 7, 2021

ISBN: 978-1-61696-358-3

Page Count: 336

Publisher: Tachyon

Review Posted Online: July 10, 2021

Kirkus Reviews Issue: Aug. 1, 2021

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Miller makes Homer pertinent to women facing 21st-century monsters.

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CIRCE

A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 23, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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Still, a respectful and absorbing page-turner.

THE NIGHTINGALE

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 20, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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