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MORNINGS ON HORSEBACK

THE STORY OF AN EXTRAORDINARY FAMILY, A VANISHED WAY OF LIFE AND THE UNIQUE CHILD WHO BECAME THEODORE ROOSEVELT

The biographer of the Brooklyn Bridge and the Panama Canal has written a marvelous book, now, about the making of an exceptional being—and nothing that has appeared before, including Edmund Morris' recent The Rise of Theodore Roosevelt, diminishes its interest or freshness or emotional force. Indeed, those familiar with the story of the puny, sickly boy who made himself over by will power alone have the most to look forward to. That is not, for one thing, what McCullough found in the thousands of Roosevelt family letters. But he does not merely offer another, more complex and fine-tuned interpretation; he has embedded it in the true-life equivalent of a Russian novel of relations and generations, of mood and moment (whence those "mornings on horseback" at Oyster Bay) and shaded characterization. Here is Theodore Roosevelt, Sr.—"a great bearded figure of a man. . . readily touched by the sufferings of others." New York gentleman; newsboys' friend; foe of venal politicians. His forever-Southern, forever-young wife Mittie, "Little Mama"—whose heroic tales conveyed "a sense of bloodline kinship with real-life men of action." Her brother James Bulloch—builder of the celebrated Confederate raider Alabama, no less admirable to his proUnion nephew. Older sister Bamie, "Papa's pet"—plain, stooped, bright, absolutely dependable. Responsible, as a tiny, stricken child, for the family conviction "that physical well-being and mental outlook are directly correlated." Younger brother Elliott—serene, kind-hearted; long the bigger of the two, and the better athlete. (His "strange seizures," beginning at 14, will reverse their positions; and with Ellie's drinking and descent, one awaits with pity and dread the birth of his daughter Eleanor.) And frail, asthmatic, intent, untiring "Teedie." McCullough devotes a chapter to childhood asthma—the total, terrifying agony, the exuberance afterward; the immediate, "exciting" family response, especially in privileged circumstances; the timing of the attacks—in TR's case, on Saturday nights, gaining him joyful Sundays out-of-doors with Papa; the sense of power and. with it, a sense that "life is quite literally a battle." At 13, TR acquires a gun and a pair of glasses; through an idyllic winter in Egypt, he shoots and stuffs birds; there are no asthmatic attacks. Ellie's seizures begin—TR is pulling ahead academically. He goes off to Harvard, "his first solo venture into the world," still spindly—despite his bodybuilding exercises—and still squeaky-voiced. The asthma all but vanishes. There follows: his father's political defeat (to be avenged?), and his death; TR's second, newly-popular two years at Harvard, capped by the conquest of "bewitching," Mittie-like Alice Lee; his high-charged political novitiate, and sobering introduction (by Samuel Gompers) to poverty; two sudden, terrible deaths—Mama's and Alice's; work (and silence); the distressing nomination of Blaine, whom TR will nonetheless support, knowing his father would have done differently. The book culminates, in the "Bad Land years," with his discovery of the cowboy—whose code was akin to the family code and who could also deal with death. His body fills out, his voice deepens, his speech takes on eloquence; he doesn't seem surprised when an acquaintance predicts that he'll become President. All of McCullough's considerable gifts—as scholar, analyst, dramatist—are focused on an inexhaustible subject.a

Pub Date: June 22, 1981

ISBN: 0671447548

Page Count: 486

Publisher: Simon & Schuster

Review Posted Online: Oct. 12, 2011

Kirkus Reviews Issue: June 1, 1981

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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