Next book

SKATING IN THE DARK

Here, Kaplan (Comfort, 1987) offers a collection of interrelated stories (marketed as a novel) that trace the coming of age, marriage, and divorce of a suburbanite. The whole is a little too calculated, likable but lacking in real power, though two or three pieces stand out as more than mere slice-of-life Weltschmerz. Between 1951 and 1990, narrator-protagonist Frank (the point of view varies) likes to break into houses, especially his own. In ``Break-in'' (1959), he says, ``Our life in crime seemed predestined'' before breaking into his parents' house with his friends and getting drunk. In the title story, Frank and Jane, his wife of three years, break into his parents' summer house, where they learn that they ``are increasingly doomed to say things they don't mean.'' The author plays with such before-and-after parallels throughout: in ``Governotou'' (1969), Frank goes to Crete alone, while in ``Tombs'' (1976), he goes with Jena, and a guide serves as a device that dramatizes their estrangement. By the last section, ``Homecoming''—which deals with the aftereffects of divorce—the attentive reader is repaid for too much minutely observed slightness. Frank breaks into the house where he and Jena (now remarried) once lived and telephones her for a sad, anguished conversation. In the powerful ``Stand,'' he returns to his parents' summer house, which has been sold, and has a tense, frightening encounter with some locals. Finally, ``In the Night'' (1990) lets Frank recoup a great deal of earlier wimpiness and self-pity as he talks girlfriend Allie, always on the verge of breakdown, through a crisis, making his life ``more redeemable somehow.'' ``You don't get it, do you?'' the wife asks. ``You don't see how...how sad it all is.'' These stories, one reprinted in the O. Henry Prize Stories 1990, are aptly elegiac—the fictional record of a sterile, childless marriage.

Pub Date: Sept. 9, 1991

ISBN: 0-679-40517-8

Page Count: 256

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1991

Categories:
Next book

TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:
Next book

THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

Categories:
Close Quickview