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A COUNTRY OF OUR OWN

A NOVEL OF THE CIVIL WAR AT SEA

Will receive—and deserves—a warm welcome from the C.S. Forester/Patrick O’Brian audience.

Volume two of Poyer’s ambitious trilogy about the Civil War at sea.

In Fire on the Waters (2001), US Navy Lieutenant Ker Claiborne, Annapolis graduate and the very model of a career officer, faced the most painful decision of his young life—the need to make an irrevocable choice, the same one confronting other ardent Virginians—Robert E. Lee, for instance. As this sequel gets underway, it’s clear that Claiborne and Lee have cast their lots similarly: They’ve resigned their US commissions and signed on with the secessionists, Ker now a lieutenant in the infant Confederate navy. Among his fellow Southrons, however, there are those who simply don’t trust him, who see cowardice and self-seeking in a decision too long delayed. Fire-breathing Mississippian, Henry Minter—like Ker, an Annapolis graduate and CSA naval lieutenant—challenges Ker to a duel, interdicted at the climactic moment by navy brass (good men are nonexpendable). Soon thereafter, Ker finds himself reporting for duty as first officer aboard the CSS Montgomery, an old paddle-wheeler skippered by longtime friend Captain Parker Trezivant. Their charge: to undertake a watery version of Sherman’s march: that is, to torch as much of the North’s maritime trade as possible, and, by burning ships and destroying cargo, make the war increasingly unattractive to Yankee business interests. Ker, an apt pupil, learns from Captain Trezivant and later succeeds him when the latter’s luck runs out. As a marauder, Ker performs brilliantly, even infamously, infuriating the enemy and earning the accolade of having a price put on his head. But his domestic life is complex. There are a son and a wife home in Richmond, terribly missed. And there’s also a shipmate, a fierce and intransigent warrior woman, whom he’s unwillingly drawn to.

Will receive—and deserves—a warm welcome from the C.S. Forester/Patrick O’Brian audience.

Pub Date: July 1, 2003

ISBN: 0-684-87134-3

Page Count: 448

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2003

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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