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FIRE ON THE WATERS

Poyer, a former Navy captain, knows his ships, of course, but his cast is strong besides, and his grip on the tiller of...

A stirring story of the Civil War—maritime style—as told by savvy veteran Poyer (China Sea, 2000, etc.) in the first of an ambitious trilogy.

Except for the zealots and the hotheaded sunshine patriots, it’s a war few want, but in the spring of 186l it seems inescapable. And good people, on both sides of the Mason-Dixon line, are forced to scrutinize positions they had thought fully settled. Aboard the Navy sloop Owanee, for instance, there are two such: the captain and his executive officer, both men of honor, both career officers, but both also Virginian-born and -bred. And on the day that young Elisha Eaker, recently of Harvard University, reports for duty, only one of the two has made up his mind. Though Captain Trezevant’s love for his home commonwealth is hardly a secret, he’s told no one that he intends to resign his commission, a fact that will complicate life for all the ship’s company. Eli, too, has some difficult decisions to make. His, however, have little to do with the war. He has to decide whether the affection he feels for his childhood sweetheart is really strong enough for marriage. And he has to decide whether he will allow his arrogant, plutocratic, tyrannical father to continue going on forever without a confrontation. When guns open fire on Fort Sumter, the war few want breaks out for real. Captain Trezevant leaves the Owanee. Reluctantly, his exec, Lieutenant Claiborne, takes command. Eli becomes gunnery officer, and to his own considerable surprise performs efficiently, even valiantly. Finally, on the last day of that fateful April, volume number one slips safely into harbor, all plot lines neatly advanced and yet satisfactorily in flux.

Poyer, a former Navy captain, knows his ships, of course, but his cast is strong besides, and his grip on the tiller of Civil War history appears reassuringly firm.

Pub Date: July 5, 2001

ISBN: 0-684-87133-5

Page Count: 464

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2001

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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