Ritz (a biography of Marvin Gaye, Divided Soul, 1985) follows one spicy show-biz melodrama (Family Blood, 1991) with another: this time in the tale of three generations of black female performers pounding on closed doors in Hollywood and New York. Nineteen-year-old Georgia Harmony arrives on L.A.'s hip black Central Avenue in 1945 fully expecting to become the next Lena Horne, and right away sets to work ensuring her fame by entangling three powerful male admirers into her steel-gauge net. Her lovers include Herb Montgomery, a black filmmaker who casts Georgia in a low-budget movie that never makes it off the southern black theater circuit; Sol Solomon, a screenwriter from Brooklyn who loves Georgia but can't bring himself to marry her; and Peter Gold, the rich son-in-law of a studio mogul who abruptly flees to Europe with Georgia in tow. Gold dies shortly thereafter, leaving Georgia with a daughter, Chanel, who only Georgia knows was sired by Montgomery. Georgia returns to the States and a life of occasional modeling gigs and sitcom roles, while Chanel grows up overweight, neglected, and angry. As an adult rhythm-and-blues performer, Chanel defies her fastidious mother by abusing drugs and having an illegitimate daughter of her own, and it's Marika Harmony, having inherited her grandmother's beauty and her mother's guts, who wins fame and fortune as a pop singer in New York—helped, coincidentally, by Sol Solomon's nephew, Herb Montgomery's son, and a previously unconnected black psychologist, all of whom love Marika madly. Flushed with triumph, Georgia and Chanel confess the identities of their daughters' fathers to People magazine while the Harmonys' male admirers plan a movie starring Georgia and Marika—all of them content, it seems, just to be of service to the objects of their desire. Sappy, soapy, and forgettable.
Pub Date: Nov. 30, 1992
ISBN: 1-55611-283-1
Page Count: 384
Publisher: Donald Fine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1992
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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