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ROSES ARE RED, VIOLETS ARE STEALING LOOSE CHANGE FROM MY POCKETS WHILE I SLEEP

Unorthodox, irreverent, and diverting tales.

Atkinson (Apocalypse All the Time, 2017, etc.) offers a collection of flash-fiction about subjects ranging from an invasion of aerobic dancers to a tyrannosaur-sized human looking for living space.

Each of the absurdist tales here drops its main characters into bizarre, often surreal situations, with most clocking in at less than two pages in length. In one, the narrator refuses to exit a Ferris wheel at the “Scotchtoberfest,” all to avoid Henry Kissinger, who wants to know what happened to his 1987 Chevy convertible. Similarly weird predicaments abound in other tales—a city’s residents uses price comparison and couponing to find a new mayor, a civilization of tiny elves turns up in an old oatmeal container, or a cellophane-wrapped Christmas ham is, sadly, also made of cellophane and packing tape. Historical figures and celebrities also populate the book, including Benjamin Franklin on a cocaine high and in need of gas money, and Tom Cruise, who vainly tries sparking discussions on controversial matters, such as Scientology, with an apathetic new neighbor. Pop-culture references are generally to decades-old TV shows and movies, but Atkinson effectively links them to more topical concerns, such as genetically modified foods. He also tackles air travel and, repeatedly, dentists and tooth care. The majority of the stories’ titles are inordinately long and sometimes irrelevant, but typically hilarious, such as “Linseed Oil is Not an Effective Sunblock Ointment Even If You Mix it With Two Parts Crisco and Three Parts Heavy Water Beforehand, James Madison’s Amateur Home Hobbyist Chemistry Thesis Notwithstanding.” Even at its most preposterous, though, Atkinson’s prose is sharp: “Ten thousand pairs of shoes sitting alone in a square? Of course, elephants were going to come in and steal them. What else?” And despite the stories’ brevity, readers won’t feel shortchanged, as there are well over 100 of them.

Unorthodox, irreverent, and diverting tales.

Pub Date: July 1, 2018

ISBN: 978-1-942856-28-3

Page Count: 256

Publisher: Literary Wanderlust

Review Posted Online: June 14, 2018

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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