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BARREL FEVER

NPR storyteller Sedaris chronicles a society slightly removed from the mainstream and characters who don't quite fit in with the masses. Deadpan exaggeration gives this first collection a satirical edge. The narrator of ``Parade'' discusses his homosexual relationships with stars whose straightness has never been questioned (Bruce Springsteen, Mike Tyson, and Peter Jennings), using the same matter-of-fact tone to describe the torrid affair of Elizabeth Dole and Pat Buckley. In ``We Get Along,'' Dale lives with his mother, who is full of anger against her deceased, womanizing husband and every night spitefully calls a woman she suspects had an affair with him. Distancing himself from both parents, Dale tries not to rock the boat while keeping some secrets to himself. ``Glen's Homophobia Newsletter, Vol. 3, No. 2'' is a parody of the persecuted in which any minority group could be substituted to replace the whining homosexual who bemoans his suffering at the oppressive hands of society in a style so over- the-top as to be laughable. These and nine other stories are followed by four essays. ``Diary of a Smoker'' is also an account of persecution (by nonsmokers); ``Giantess'' relates Sedaris's experiences with a magazine of erotica about enormous women. Far exceeding them in wit is ``SantaLand Diaries,'' previously read on NPR's ``Morning Edition,'' which describes his seasonal stint as a Macy's elf. Four days of rigorous training on the eighth floor barely prepared him for the crowds, the Santas, and the unending barrage of questions. Throughout the collection, without slapping the reader in the face with a political diatribe, the author skewers our ridiculous fascination with other people's tedious everyday lives. Life may be banal here, but Sedaris's take on it is vastly entertaining. (Author tour)

Pub Date: June 1, 1994

ISBN: 0-316-77940-7

Page Count: 200

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1994

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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