Uneven but often alluring stories, though many of them read like outtakes from Dead Languages, Shields's ambitious 1989 novel of a son's growing up under the stressful nurturing of eccentric parents who were also passionately liberal intellectuals. The names here are changed, but the progressive parents reappear—the mother an unflaggingly committed journalist (who, again, will face death by cancer), the father a more rumpled kind of idealist who covers local sports for neighborhood papers and is undyingly fixated on the injustice of the Rosenberg case. As for son Walt Jaffe, the parental combination of high ideals with the vagaries of human misjudgment and weakness has the same confusing impact it had on the son in Dead Languages—and here are 24 elegantly rendered, frequently tormented, and often amusing glimpses of the hypersensitive and thoughtful Walt's early initiations into sex (``Gookus Explains the Eternal Mysteries''; ``A Brief Summary of Ideal Desire''); of his growing awareness of political complexities and failures (``The War on Poverty''; ``The Sixties''; ``War Wounds''); the moral imperatives of pacifism and of death (``The Gun in the Grass as Your Feet''; ``The Sheer Joy of Amoral Creation''); and even of his rather youthful and fictionally somewhat self-consciously belabored marriage (``The Imaginary Dead Baby Sea Gull''; ``The Moon, Falling''). There's no doubt of Shields's richness, energies, and talent, but there's none, either, of his debts here to others—from Leonard Michaels (to whom in fact one piece is dedicated) on through the entropic fictions and satires of Beattie, Barthelme, Salinger, even Hemingway. An offering of compellingly skilled stories, then, but not the wished-for staking out of new terrain. As to the estimable achievement of Dead Languages, what's here is a little bit like finding a plate of hors d'oeuvres after the dinner is already eaten.
Pub Date: Jan. 15, 1992
ISBN: 0-679-40111-3
Page Count: 192
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1991
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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