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THE LAST KING OF THE MAYA

A gripping, macabre action story only occasionally marred by slow spots.

Awards & Accolades

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When a Mayan god threatens to wreak havoc on Earth, a young man and his friends must confront their shared destiny.

Young Juan Guerrero has a fighting spirit inside him that he calls his Wolf. His grandfather Manuel was teaching him how to use his powers, but when an armed gang, including several odd members completely covered in black robes, came to the Guerrero’s small village in Mexico and murdered Manuel, Juan’s Wolf took charge of his body. When the dust cleared, most of the gang was dead, the rest were on the run and Juan was in a jail cell. Dr. Gottschalk, an archaeologist at a nearby temple complex to which Juan’s family had a longstanding connection, bails Juan out after he agrees to act as a sort of bodyguard to the doctor’s son Mark. Juan and Mark develop a close friendship, one so close that it is barely threatened by the appearance of Kat O’Riley, a spirited graduate student working at the site. Soon, Mark and Juan have intense feelings for Kat and she for them, but this doesn’t sit well with Mark’s mother, who has plans for her son and Eleanor, a grad student who has had her eye on Mark for some time. Meanwhile, bad things are happening in and around the site, things that seem to hint at a deeper destiny for Mark, Kat and Juan, as well as Juan’s Wolf. Talon’s novel is steeped in a deliciously dark supernatural atmosphere and full of tense action sequences intercut with scenes of lighthearted youthful palling around. While some expository sequences belong on the cutting room floor, for the most part the plot is compelling enough to keep the reader interested. Some of the youthful banter feels forced, but there is more than enough well-wrought action and wonderful creepiness to counteract the rough bits.

A gripping, macabre action story only occasionally marred by slow spots.

Pub Date: April 2, 2011

ISBN: 978-1450760072

Page Count: 413

Publisher: David Talon

Review Posted Online: June 22, 2011

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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THE VEGETARIAN

An unusual and mesmerizing novel, gracefully written and deeply disturbing.

In her first novel to be published in English, South Korean writer Han divides a story about strange obsessions and metamorphosis into three parts, each with a distinct voice.

Yeong-hye and her husband drift through calm, unexceptional lives devoid of passion or anything that might disrupt their domestic routine until the day that Yeong-hye takes every piece of meat from the refrigerator, throws it away, and announces that she's become a vegetarian. Her decision is sudden and rigid, inexplicable to her family and a society where unconventional choices elicit distaste and concern that borders on fear. Yeong-hye tries to explain that she had a dream, a horrifying nightmare of bloody, intimate violence, and that's why she won't eat meat, but her husband and family remain perplexed and disturbed. As Yeong-hye sinks further into both nightmares and the conviction that she must transform herself into a different kind of being, her condition alters the lives of three members of her family—her husband, brother-in-law, and sister—forcing them to confront unsettling desires and the alarming possibility that even with the closest familiarity, people remain strangers. Each of these relatives claims a section of the novel, and each section is strikingly written, equally absorbing whether lush or emotionally bleak. The book insists on a reader’s attention, with an almost hypnotically serene atmosphere interrupted by surreal images and frighteningly recognizable moments of ordinary despair. Han writes convincingly of the disruptive power of longing and the choice to either embrace or deny it, using details that are nearly fantastical in their strangeness to cut to the heart of the very human experience of discovering that one is no longer content with life as it is.

An unusual and mesmerizing novel, gracefully written and deeply disturbing.

Pub Date: Feb. 2, 2016

ISBN: 978-0-553-44818-4

Page Count: 192

Publisher: Hogarth

Review Posted Online: Oct. 19, 2015

Kirkus Reviews Issue: Nov. 1, 2015

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