A debut collection of 11 stories from Asian-American Louie chronicling the displaced lives of Asian immigrants and of first- generation American-born children: mainly taut and energetic pieces, a worthy (if more prosaic) companion to recent similar chronicles by Amy Tan, Maxine Hong Kingston, and others. ``Displacement'' (chosen for the Best American Short Stories 1989) concerns Mrs. Chow, 35, who immigrates to the US and goes to work (along with Mr. Chow) for a widow who, stroke-ridden, turns vile and spiteful. As in most stories here, Louie works by stringing together instances until he reaches a summarizing image: here, it's an image of Mrs. Chow descending from a roller coaster to stare at a glamorous American woman on a billboard. Beginning to accept her fate, she realizes, staring past the billboard to the ocean, that ``the land on the other side wouldn't come into view.'' Likewise, the title piece, about a son and his mother who has no English, takes the two in a rented car to another son's house, where the narrator and his mother watch wrestling on TV: ``The world she knows has been radically altered, a paradigm shift has taken place, she must relearn the earth is round, not flat.'' With such a formula, Louie moves as well to a female point of view in ``Inheritance,'' where the narrator comes of age after appearing on Dan Rather's show in support of a protest against a bombing of an abortion clinic; and the author spices the formula with fabulism in ``Disturbing the Universe,'' where peasants, criminals, and scholars at a labor camp near the Great Wall participate in the invention of baseball. These quirky Asian-Americans try to Americanize each other with names like Edsel and Bagel—and Louie trenchantly dramatizes their often surreal attempts to adapt to a new culture while not forgetting the old ways.
Pub Date: June 21, 1991
ISBN: 0-394-58957-2
Page Count: 256
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1991
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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