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TRUTH & PAIN STARRING THE GANGSTERS & RETARDS IN...THE MYSTIQUE-CAL PERSON-A OF MC CRIPPLE CRIP

A gaggle of disabled and otherwise different teens have their friendship tested by jealousy and hip-hop exclusionism in this gonzo young-adult fable.

Handicaps are spectacular but never encumbering among the students at the Green Rainbow Acres State School, located at the allegorical intersection of Truth Ave. and Pain St. in the slum district of Valley City. Bryan has Down syndrome, but he’s quick-witted and deep. Janice doesn’t let her muscular dystrophy get in the way of her high-falutin’ speechifying. Carlos, who has lost three limbs to three separate freak accidents, uses his toes to invent electronic gadgets. Moon is a black-belt in Aikido and a sound-and-lighting engineer for stage shows despite being deaf, mute and blind. Then there are the socially and psychologically disadvantaged: Mad Girl, truculent and pregnant; Learoy, truculent and pretty; Pho, huge and gentle; Dutch, white and stupid. Their tight, multicultural, stridently tolerant clique is disrupted by wheelchair-bound rap star MC Crippled Crip; while Janice and Learoy fall to cat-fighting for MC’s affections, Carlos, who complains that a Mexican-American rapper like himself can’t get a hearing in the hip-hop industry, insists that MC is a fraud who stole his lyrics. (Sample plagiarism: “Girl with that ass of yours / You won me from the start.”) The book’s somewhat cumbersome and avowedly silly narrative—“Beware, Mateys! Here thar be plot holes!”—functions as a lurid peg for eternal adolescent-lit themes: phoniness and authenticity; tensions between personal ambition and solidarity with friends; vague anti-establishment resentments; the centrality of rap culture to self-expression and group bonding. The writing, vigorous and suffused with urban rhythms but also coarse and platitudinous, soaks readers in profanity, flights of fancy (a Carlos-Crip showdown is staged as a faux-Clint Eastwood gunfight), bland moralizing (“‘It’s all about trust’”) and a nigh-obsessive ogling of Learoy’s bodacious (and underage) breasts and booty. The result is an imaginative, quirky read, but it’s so cartoonish that it doesn’t quite ring true. An exuberant but overblown tale of miraculous misfits.

 

Pub Date: Dec. 17, 2009

ISBN: 978-0979893490

Page Count: 232

Publisher: Truth and Pain, LLC

Review Posted Online: March 8, 2012

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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