Loosely plotted to say the least, but readers who can suspend disbelief after a line like this uttered by a...
A bestselling author and a death-dealing critic mix it up in this middling effort from thrillermeister Koontz (The Good Guy, 2007, etc.).
Cullen (Cubby) Greenwich has a lot to thank Ralph for—Ralph being the playful name he’s given his guardian angel. In his 30s, lucky Cubby has a beautiful wife, the world’s smartest six-year-old son and a Lassie-like wonder dog named Lassie. Bonus: Whenever he finishes a book it cleaves to bestseller lists with the tenacity of a barnacle. Ah, but Cubby is about to swallow some bitter pills. Suddenly, it seems that Ralph has lost focus, or perhaps ventured off on sabbatical, and Cubby’s life, once so chipper, is plunged into bleakness. It starts with the reviews for One O’Clock Jump, Cubby’s latest. They are raves, minus one. Shearman Waxx, the nation’s most influential literary critic (can there be such a thing these days?) has noticed a Cubby novel for the first time. Cubby smolders, yearns for an encounter and, against the advice of all who love him, including that savvy six-year-old, makes it happen. The results are predictable. Well, not exactly predictable, since it turns out there are dark sides to Waxx. He’s a killer, a description in no way metaphorical. That’s real blood on his hands. Scared silly, the family takes off, Waxx and a bevy of sinister cohorts in hot pursuit for reasons somewhat less than persuasive. Bullets fly, body bags fill, dark conspiracies mushroom. Who, Cubby wonders, could have imagined that a Ralph-less world would be quite so fraught?
Loosely plotted to say the least, but readers who can suspend disbelief after a line like this uttered by a six-year-old—“Mom, you’ve got to convince him to get a new agent”— may find some rewards.Pub Date: June 1, 2009
ISBN: 978-0-553-80714-1
Page Count: 368
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2009
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Striking a far less hysterical tone than in The Shining, King has written his most sweeping horror novel in The Stand, though it may lack the spinal jingles of Salem's Lot. In part this is because The Stand, with its flow of hundreds of brand-name products, is a kind of inventory of American culture. "Superflu" has hit the U.S. and the world, rapidly wiping out the whole of civilization—excepting the one-half of one percent who are immune. Superflu is a virus with a shifting antigen base; that is, it can kill every type of antibody the human organism can muster against it. Immunity seems to be a gift from God—or the Devil. The Devil himself has become embodied in a clairvoyant called Randall Flagg, a phantom-y fellow who walks highways and is known variously as "the dark man" or "the Walking Dude" and who has set up a new empire in Las Vegas where he rules by fear, his hair giving off sparks while he floats in the lotus position. He is very angry because the immune folks in the Free Zone up at Boulder have sent a small force against him; they get their message from Him (God) through a dying black crone named Abigail, who is also clairvoyant. There are only four in this Boulder crew, led by Stu Redman from East Texas, who is in love with pregnant Fran back in the Free Zone. Good and Evil come to an atomic clash at the climax, the Book of Revelations working itself out rather too explicitly. But more importantly, there are memorable scenes of the superflu spreading hideously, Fifth Avenue choked with dead cars, Flagg's minions putting up fresh lightbulbs all over Vegas. . . . Some King fans will be put off by the pretensions here; most will embrace them along with the earthier chilis.
Pub Date: Nov. 3, 1978
ISBN: 0307743683
Page Count: 1450
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: Nov. 1, 1978
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
Readers may wish to tackle this heart-pounding novel in highly populated, well-lit areas—snacks optional.
Some thrillers produce shivers, others trigger goose bumps; Cutter’s graphic offering will have readers jumping out of their skins.
Scoutmaster Dr. Tim Riggs takes his troop for their annual camping trip to Falstaff Island, an uninhabited area not far from their home on Prince Edward Island. The five 14-year-old boys who comprise Troop 52 are a diverse group: popular school jock, Kent, whose father is the chief of police; best friends Ephraim and Max, one the son of a petty thief who’s serving time in prison and the other the son of the coroner who also serves as the local taxidermist; Shelley, an odd loner with a creepy proclivity for animal torture and touching girls’ hair; and Newton, the overweight nerdy kid who’s the butt of the other boys’ jokes. When a skeletal, voracious, obviously ill man shows up on the island the first night of their trip, Tim’s efforts to assist him unleash a series of events which the author describes in gruesome, deliciously gory detail. Tom Padgett is the subject of a scientific test gone horribly wrong, or so it seems, and soon, the Scouts face a nightmare that worms its way into the group and wreaks every kind of havoc imaginable. With no way to leave the island (the boat Tom arrived on is disabled, and the troop was dropped off by a different boat), the boys fight to survive. Cutter’s narrative of unfolding events on the island is supplemented with well-placed interviews, pages from diaries, and magazine and newspaper articles, which provide answers to the reader in bits and pieces—but perhaps more importantly, it also delivers much-needed respites from the intense narrative as the boys battle for their lives on the island. Cutter (who created this work under a pseudonym) packs a powerful punch by plunging readers into gut-wrenching, explicit imagery that’s not for the faint of heart or the weak of stomach.
Readers may wish to tackle this heart-pounding novel in highly populated, well-lit areas—snacks optional.Pub Date: Feb. 25, 2014
ISBN: 978-1-4767-1771-5
Page Count: 368
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Sept. 17, 2013
Kirkus Reviews Issue: Oct. 1, 2013
BOOK REVIEW
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