An engaging mystery with a late twist and an especially satisfying ending.


From the Mimi Goldman Chautauqua Murder Mysteries series , Vol. 5

In this fifth installment of a series, a journalist and incorrigible amateur sleuth investigates a murder that disrupts a celebration at a peaceful cultural retreat in New York State.

It is the Fourth of July, and the Chautauqua Institution’s 5,000-seat Amphitheater is filled for the annual Independence Day concert. As the orchestra reaches the crescendo of Tchaikovsky’s “1812 Overture,” the audience pops paper bags on cue from the conductor. Lost in the cacophony is the sound of gunfire. Nobody hears it. Then Mimi Goldman, the sports editor of the Chautauquan Daily, sees EMTs racing to take out a woman on a stretcher. A 36-year-old documentary filmmaker, Maureen Donahue, has been killed. Mimi, who hails from New York City and logged several decades as a reporter and copy editor for the New York Post, plunges headfirst into the investigation. Never mind that she is about to marry her upstate beau, Walt Dellaria, and her schedule is already more than full. Who would have reason to kill Maureen? This, it turns out, is the wrong question, and it sends Mimi off on a tangent. No matter. There are plenty of little backstories to keep things gossipy and intriguing. When the prime suspect, Craig Halladay, a mentally disturbed man from New York City, turns himself in so he can proclaim his innocence, Mimi becomes suspicious that the case is being closed too quickly. Pines (Beside Still Waters, 2017, etc.), a newspaper copy editor and former reporter, produces snappy prose, and her narrative moves along at a healthy speed. On the way, readers are introduced to an assortment of eclectic secondary characters who make up the quirky ensemble of townies and visitors to the Chautauqua Institution, a well-known “summer camp for adults.” As in her previous volumes, the author takes the time to lay out the geography, history, and rich intellectual and artistic tapestry of the gated enclave, which first opened in the late 19th century. She builds her large cast of players with similar care, giving each one a chapter or two in which to star.

An engaging mystery with a late twist and an especially satisfying ending.

Pub Date: Aug. 1, 2018

ISBN: 978-1-72317-982-2

Page Count: 262

Publisher: CreateSpace

Review Posted Online: Sept. 20, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...


Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.

Pub Date: June 13, 1995

ISBN: 0-399-14059-X

Page Count: 400

Publisher: Putnam

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 1995

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