Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2012

THE WHIPPING CLUB

Inspired by her heritage and research of the Irish Industrial School system, Henry’s auspicious debut chronicles a couple’s attempt to save their son from horrific institutions.

Marian McKeever and Ben Ellis are not typical young lovers in 1957 Dublin, Ireland; she’s Catholic and teaches at Zion School, and he’s Jewish and a budding journalist. The two plan to wed, but their families object to an interfaith marriage. And when Marian becomes pregnant, she doesn’t tell Ben. Coerced by Father Brennan (a Catholic priest who is also her uncle), Marian goes to Castleboro Mother Baby Home, an institution ruled by Sister Paulinas and Sister Agnes where “sins are purged” via abuse; i.e., pregnant girls are forced to mow the lawn by pulling grass on their hands and knees. Marian is told that her son, Adrian, will be adopted by an American family. The riveting storyline provides many surprises as it fast-forwards to 1967 where Marian and Ben are married and have a 10-year-old daughter. Marian’s painful secret emerges when she learns that her son was dumped in an abusive orphanage not far from her middle-class home and Sister Agnes is his legal guardian. Thus begins a labyrinthine journey through red tape as the couple fight to regain their firstborn child. Ultimately, 12-year-old Adrian is placed in the Surtane Industrial School for Boys, which is rife with brutality and sexual abuse at the hands of “Christian Brother Ryder.” Though unchecked church power abounds, this is not a religious stereotype or an indictment of faith. Hateful characters like Brother Ryder are balanced with compassionate ones, such as a timid nurse from the Mother Baby Home. Father Brennan deepens into a three-dimensional character who struggles to do what is right. Henry weaves multilayered themes of prejudice, corruption and redemption with an authentic voice and swift, seamless dialogue. Her prose is engaging, and light poetic touches add immediacy. For example, when Marian returned to Mother Baby Home after 11 years, she “opened the car door and stepped onto the gravel, wanting to quiet its crunch, like skeletons underneath her shoes.” Echoing the painful lessons of the Jewish Holocaust, Henry’s tale reveals what happens when good people remain silent. A powerful saga of love and survival.

 

Pub Date: Feb. 15, 2012

ISBN: 978-0984553174

Page Count: 345

Publisher: T.S. Poetry

Review Posted Online: Jan. 7, 2012

Did you like this book?

No Comments Yet

The phrase “tour de force” could have been invented for this audacious novel.

Reader Votes

  • Readers Vote
  • 15

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2015

  • Kirkus Prize
  • Kirkus Prize
    winner

  • National Book Award Finalist

A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

Did you like this book?

TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Did you like this book?

more