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ROLL BACK THE WORLD

A SISTER'S MEMOIR

Intricate and affecting, Kasdan’s debut finds hope in the saddest of stories.

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Kasdan recounts her older sister’s harrowing struggle with mental illness in this debut memoir.

When the author’s 19-year-old sister, Rachel, returned from a kibbutz in Israel, she radiated “beauty and sophistication.” Drawing on her newfound worldliness, she dazzled friends who stopped by the family home. Three years later, in 1965, Rachel was hearing “frightening voices” and was soon after diagnosed with schizophrenia. After multiple hospitalizations, Rachel died at the age of 59, 36 years after her first psychotic episode. Kasdan writes of her admiration for Rachel during their childhood and describes a family under pressure; moody and defiant, Rachel fought intensely with their parents. The author also conveys their trepidation about being members of a Jewish family with socialist values in the era when the Rosenbergs were executed for espionage. The memoir attempts to excavate the roots of mental illness and to come to terms with the guilt she felt for being unable to save a sibling. A long-term resident of St. Louis State Hospital, where the family felt she received insufficient care, Rachel was raped during her discharge to a boardinghouse. The family decided that she would receive better care on the West Coast, but the plan backfired, leaving Rachel isolated from her family. Drawing on her sister’s letters and poetry, the author attempts to “shine a light” on the “horror and wonder” of Rachel’s life, including “hospitalizations in open and locked wards,” “mind-numbing, tremor-causing medications,” “assaults in hospitals and on the streets,” and homelessness.

Kasdan’s writing is intelligent and probing. In trying to understand why one sibling develops a mental illness when another does not, she refers to the science of epigenetics: “High levels of stress during a child’s early years are believed to be a major factor in expression of rogue genes.” The author’s shrewd hypothesizing is carefully balanced with sororal tenderness, as when recalling her desperate plea to her sister: “Don’t leave me, Rachel. Don’t disappear into being crazy.” Kasdan’s inclusion of her sister’s poetry (which resembles the work of Sylvia Plath) offers an engaging first-person perspective on the stultifying nature of Rachel’s mental illness. In a poem entitled “Water,” Rachel writes, “I go down deep till bright waters / roll over and over / the sinking hulk of my body / covered by each wave one by one.” The memoir poignantly discusses how Rachel’s memory and poetry inspired the author to write as an act of catharsis. Kasdan’s description of how the act of writing now links the two sisters is profoundly moving: “When I sit down to write, I still hear the clatter of her typewriter ringing across the bedroom of our youth.” Although the narrative explores the unbearable pain of having a sibling with schizophrenia, it also recognizes how Rachel’s creativity was fueled by her illness and how that passion proved to be inspirational. The author delves deeply into memory and family dynamics to understand her sister’s diagnosis and, in doing so, finds self-forgiveness for being unable to save her.

Intricate and affecting, Kasdan’s debut finds hope in the saddest of stories.

Pub Date: Oct. 17, 2023

ISBN: 978-1647425715

Page Count: 256

Publisher: She Writes Press

Review Posted Online: June 2, 2023

Kirkus Reviews Issue: Aug. 1, 2023

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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