A shortlisted nominee for the Man Booker Prize, deserving of the widest readership.
Naked came the stranger—and, oddly, no one’s in much of a hurry to get her clothed.
When Kitty Finch shows up at the door of a famous British poet’s tony vacation getaway in the South of France, she makes quite an impression. She is staggeringly beautiful and, as mentioned, unclothed. And then her eyes—well, “Kitty Finch’s eyes were grey like the tinted windows of Mitchell’s hire car, a Mercedes, parked on the gravel at the front of the villa.” She has skills as a botanist, is a would-be poet herself and has an odd fixation with the poet, who is a bit of an odd duck himself, a collector of bits and pieces of natural history, of bric-a-brac and allusion and especially of people, surrounded by other odd ducks such as a German hippie who “was never exact about anything” and keeps his nose and brain tucked inside Hermann Hesse’s Siddhartha most of the time. As South African–born British writer Levy (Ophelia and the Great Idea, 1988, etc.) soon lets us know, Kitty Finch—her name is repeated like a mantra throughout the book—has designs on Joe Jacobs, who doesn’t mind at first, but soon comes to regret the dalliance. Who, after all, wouldn’t be just a little afraid of a girl who can wink with either eye? The bigger question, on which the book turns, is why Joe’s wife, Isabel, allows events to unfold as they do; is this all an experiment for her benefit and interest, too? Levy winds her characters up and watches them go, and they do as most humans do, which is to mess up in the face of desire. Her novel is utterly beautiful and lyrical throughout, even at the most tragic turns (“I have never got a grip on when the past begins or where it ends...as much as I try to make the past keep still and mind its manners, it moves and murmurs with me through every day”).
A shortlisted nominee for the Man Booker Prize, deserving of the widest readership.Pub Date: Oct. 16, 2012
ISBN: 978-1-62040-169-9
Page Count: 176
Publisher: Bloomsbury
Review Posted Online: Oct. 15, 2012
Kirkus Reviews Issue: Nov. 1, 2012
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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