Kooky and diverse, each woman’s secret unfolds in scintillating bits that lead to a scandalous finish.
The latest from Moggach (Heartbreak Hotel, 2015, etc.) is a hodgepodge of infidelity and other lies that spans four continents.
In Pimlico, London, Petra falls in love with her best friend’s husband, Jeremy. In Beijing, China, Li Jing has just learned that her absentee husband, Wang Lei, is infertile. In White Springs, Texas, Lorrie signs up to be a surrogate mother after losing her nest egg in an Internet scam. All these threads lead to Oreya, West Africa, where both Jeremy and Lei do business and where Asaf, who operates a cellphone charging station, is plugged in to everyone’s secrets. Petra’s complicated relationship with Bev, her former roommate, is the most vivid—Petra learns firsthand that Bev’s cheerful social media posts about her happy marriage are pure fiction, and their shared history gives context to her whirlwind romance with Bev's husband. She has more of a butterfly effect on the other characters, whose outrageous predicaments unfold unevenly in alternating chapters. Lorrie can explain how she can hide her pregnant belly from her neighbors—she’s a stereotypical fat American who is a victim of corn syrup as well as fraud—but it’s harder to believe she’d hide such a life-altering choice from her spouse, who is away on military duty. Jing, in contrast, seems happier not knowing where her husband’s money is coming from. When they finally meet in West Africa—in a poor but modernized area populated by wild dogs, wily locals, and an unscrupulous pharmaceutical company—they confront their false assumptions about each other and begin to consider the impact of their actions on the world as well as in their own lives.
Kooky and diverse, each woman’s secret unfolds in scintillating bits that lead to a scandalous finish.Pub Date: May 3, 2016
ISBN: 978-0-06-242733-5
Page Count: 336
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 16, 2016
Kirkus Reviews Issue: March 1, 2016
A raw and incandescently written foray into fiction by one of our most gifted poets.
A young man writes a letter to his illiterate mother in an attempt to make sense of his traumatic beginnings.
When Little Dog is a child growing up in Hartford, he is asked to make a family tree. Where other children draw full green branches full of relatives, Little Dog’s branches are bare, with just five names. Born in Vietnam, Little Dog now lives with his abusive—and abused—mother and his schizophrenic grandmother. The Vietnam War casts a long shadow on his life: His mother is the child of an anonymous American soldier—his grandmother survived as a sex worker during the conflict. Without siblings, without a father, Little Dog’s loneliness is exacerbated by his otherness: He is small, poor, Asian, and queer. Much of the novel recounts his first love affair as a teen, with a “redneck” from the white part of town, as he confesses to his mother how this doomed relationship is akin to his violent childhood. In telling the stories of those who exist in the margins, Little Dog says, “I never wanted to build a ‘body of work,’ but to preserve these, our bodies, breathing and unaccounted for, inside the work.” Vuong has written one of the most lauded poetry debuts in recent memory (Night Sky with Exit Wounds, 2016), and his first foray into fiction is poetic in the deepest sense—not merely on the level of language, but in its structure and its intelligence, moving associationally from memory to memory, quoting Barthes, then rapper 50 Cent. The result is an uncategorizable hybrid of what reads like memoir, bildungsroman, and book-length poem. More important than labels, though, is the novel’s earnest and open-hearted belief in the necessity of stories and language for our survival.
A raw and incandescently written foray into fiction by one of our most gifted poets.Pub Date: June 4, 2019
ISBN: 978-0-525-56202-3
Page Count: 256
Publisher: Penguin Press
Review Posted Online: March 17, 2019
Kirkus Reviews Issue: April 1, 2019
BOOK REVIEW
"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
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