Going inside the mind of a pretty, freckled villain who commits a seemingly victimless crime creates a page-turner with just...
When a young woman considers the consequences of stealing from her employer, she doesn’t consider that the damage might reach beyond the walls of a prison cell.
After learning that anyone with the right initials could cash a check made out to NT instead of NuLine Telecommunications, Natalie Bingham becomes Natalie Taylor, wife of Colin Taylor, who keeps exotic reptiles in the house he shares with his mother. Natalie’s commitment to the scam, going so far as to marry a man she doesn’t love just to get his initials, is part of the allure of this wholly unlikable character. From the outside, she appears to be a beautiful and clever woman who charms everyone she meets, from her gullible husband to her cynical defense lawyer. On the inside, she’s intellectually lazy, insulting people with racial slurs and turning to a life of crime at the first sign of financial hardship. She doesn’t believe she’ll hurt anyone if she steals a few dollars at a time from a big corporation, but even when she’s proven wrong, she finds that she doesn’t care. Similar to Something to Hide (2016), Moggach’s latest book connects the lives of strangers in alternating narratives. In this case, Natalie’s trail of stolen phone-bill payments leaves one of her victims, David, his wife, Sheila, and their daughter, Chloe, with a dead phone line at the worst possible time. Each of them wants something out of reach—David wants a better life for his overweight daughter, Colin wants a family, and Natalie wants more excitement than an ordinary office job can offer her. And how far they are all willing to go to get what they desire most uncovers some surprising truths about the lies people tell themselves.
Going inside the mind of a pretty, freckled villain who commits a seemingly victimless crime creates a page-turner with just enough moral ambiguity to ensure an unexpected ending.Pub Date: June 6, 2017
ISBN: 978-1-4683-1093-1
Page Count: 240
Publisher: Overlook
Review Posted Online: March 20, 2017
Kirkus Reviews Issue: April 1, 2017
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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