A pallid account of adultery and deception somewhat enriched—but not much—by its 17th-century Dutch setting.
Young Sophia has saved herself and her family by marrying wealthy, amiable Cornelis Sandvoort, 40 years her senior. After three years of marriage, with as yet no heir, Cornelis tries for the next best route to immortality by engaging Jan van Loos to paint the couple’s portrait. With this one display of vanity begins the twisting plot of a moral fable that dooms all the players involved, transforming their tidy Amsterdam into a watery labyrinth of deceit. Shortly after meeting for the first sitting, Jan and Sophia begin a torrid affair. They steal through the streets in disguise and pass notes through servants, risking everything for just the briefest contact. When Sophia’s maid, Maria, becomes pregnant, the lovers concoct an outlandish plan they hope will buy their freedom. With a pillow tucked under her gown, Sophia pretends also to be pregnant; she plans to pawn off Maria’s illegitimate baby as her own, to “die” in childbirth, then run off with Jan. The novel’s title suggests the historical phenomenon that may aid the illicit pair. Gripped in “tulip fever,” the Amsterdam of 1636 uses bulbs as a trading commodity, their value based on rareness of color and singularity of bloom. The flowers can make or break futures in an afternoon, and it’s on this chaotic fluctuation that Jan and Sophia depend to make their fortune. Immersed in the language of flowers and the imagery of Dutch still lifes, the story’s best moments mimic the stilled perfection of painting. But at the same time, more often than not, Moggach’s reserved, objectified tone distances the reader. An interesting conceit with little emotional impact, making for a tale more reserved and two-dimensional than burgeoning
with its lives.Pub Date: April 18, 2000
ISBN: 0-385-33489-3
Page Count: 288
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2000
Categories: LITERARY FICTION
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A flabby, fervid melodrama of a high-strung Southern family from Conroy (The Great Santini, The Lords of Discipline), whose penchant for overwriting once again obscures a genuine talent. Tom Wingo is an unemployed South Carolinian football coach whose internist wife is having an affair with a pompous cardiac man. When he hears that his fierce, beautiful twin sister Savannah, a well-known New York poet, has once again attempted suicide, he escapes his present emasculation by flying north to meet Savannah's comely psychiatrist, Susan Lowenstein. Savannah, it turns out, is catatonic, and before the suicide attempt had completely assumed the identity of a dead friend—the implication being that she couldn't stand being a Wingo anymore. Susan (a shrink with a lot of time on her hands) says to Tom, "Will you stay in New York and tell me all you know?" and he does, for nearly 600 mostly-bloated pages of flashbacks depicting The Family Wingo of swampy Colleton County: a beautiful mother, a brutal shrimper father (the Great Santini alive and kicking), and Tom and Savannah's much-admired older brother, Luke. There are enough traumas here to fall an average-sized mental ward, but the biggie centers around Luke, who uses the skills learned as a Navy SEAL in Vietnam to fight a guerrilla war against the installation of a nuclear power plant in Colleton and is killed by the authorities. It's his death that precipitates the nervous breakdown that costs Tom his job, and Savannah, almost, her life. There may be a barely-glimpsed smaller novel buried in all this succotash (Tom's marriage and life as a football coach), but it's sadly overwhelmed by the book's clumsy central narrative device (flashback ad infinitum) and Conroy's pretentious prose style: ""There are no verdicts to childhood, only consequences, and the bright freight of memory. I speak now of the sun-struck, deeply lived-in days of my past.
Pub Date: Oct. 21, 1986
ISBN: 0553381547
Page Count: 686
Publisher: Houghton Mifflin
Review Posted Online: Oct. 30, 2013
Kirkus Reviews Issue: Sept. 15, 1986
Categories: LITERARY FICTION
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SEEN & HEARD
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
Categories: LITERARY FICTION
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