by Debra Spark ‧ RELEASE DATE: March 15, 2024
Lively fiction from a fine Maine novelist, one who deserves more attention.
A stolen triptych of paintings and a draconian boarding school are the gravitational poles of a story about love and lies, art and trauma, and the mysteries of fate.
Spark’s fifth novel opens on a Maine island in 2018 as an art appraiser named Gracie Thomas steps off the ferry, ready to be picked up for the last leg of her journey to the home of a collector who’s hired her to set the value of an important trio of paintings by the painter J. Morrison known as the Triplets. The ferry terminal clears out, her ride does not materialize, there’s no cell service, and suddenly the wintry weather is life-threatening. Chapter 2 leaves Gracie by the side of the road and moves to a suburban high school in 1978 Connecticut where Reggie Rupo, who’s been bouncing through the foster care system for most of his life, is pulled out of Spanish class and shipped off to a carceral boarding school called Adalie Lake (whose searing details are based on the author’s interviews with alumni of a real facility closed only in 2011). Chapter 3 turns the clock back to the 1930s with a series of letters between J. Morrison and his wife, Victoria, in which we learn a secret about the Triplets that has been buried ever since. Meanwhile, returning to 2018, Gracie will survive her ordeal only to discover the paintings have gone missing, likely stolen. But what does 1970s Reggie have to do with it? The plot threads come together in a style reminiscent of the linked story collections of Joan Silber—while there is a substantial throughline connecting the key players, there are also characters and settings important in one or two stories, then not seen again. The overall effect is vibrant and suspenseful, if lapsing occasionally into cliche or hasty resolutions of carefully developed situations. After waiting a long time to see whether and how that secret about the paintings will come to light, we expect more outcome than we get. On the other hand, it’s a great little ending.
Lively fiction from a fine Maine novelist, one who deserves more attention.Pub Date: March 15, 2024
ISBN: 9781954245983
Page Count: 316
Publisher: Four Way
Review Posted Online: March 9, 2024
Kirkus Reviews Issue: April 1, 2024
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by Debra Spark
BOOK REVIEW
by Debra Spark
BOOK REVIEW
by Debra Spark
by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
Awards & Accolades
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New York Times Bestseller
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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SEEN & HEARD
by Thomas Schlesser ; translated by Hildegarde Serle ‧ RELEASE DATE: Aug. 26, 2025
A pleasant if not entirely convincing tribute to the power of art.
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New York Times Bestseller
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
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SEEN & HEARD
SEEN & HEARD
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