Guru Chopra's (Ageless Body/Timeless Mind, 1993, etc.) first novel comes up with a mind/body version of the Arthurian legend that lends great charm to familiar lore. Chopra not only creates strong prose for his lighter-than-air battle between magical forces of good and evil but keeps the pot boiling with symbols that bounce meanings off the page and a plot that turns inside out like a glove as characters shift shapes and identities. The novel opens on the fall of the Round Table to Arthur's evil son, Modred, while introducing us to a Merlin seemingly bored with destiny, then leaps to modern times as Detective Constable Arthur Callum investigates the highway death of a bearded old man (Merlin), whose body disappears from an ambulance. Arthur is assisted by Detective Constable Katy Kilbride (who echoes Guinevere), but neither of these modern folk is bound by the rules of courtly love that brace Malory's Le Morte D'Arthur. The enchantments and evil spells common to knighthood, though, do leap the centuries, as Modred in modern guise seeks out the new Merlin to destroy his power for good. Why did the earlier Merlin seem bored? Because wizards live backward through time—and know outcomes before they know beginnings. The story never takes on epic scale, but in minor mode more or less upends the detective thriller with miraculous inversions and magical events, such as a chase through a thickly branched primeval forest moved to the modern countryside, being in which is like being locked into a schizoid mind. Katy becomes engaged to Arthur but marries Ambersides (Modred), then is seduced by the succubus Jasper, who sees her as the Fairy Fay—actually Morgan le Fay—while Modred is Arthur's darker nature. At last, all the characters are splinters of each other, and phases of the reader as well, awaiting Jungian individuation. Crawling about on the web of time makes for light and lively storytelling.
Pub Date: July 1, 1995
ISBN: 0-517-59849-3
Page Count: 448
Publisher: Harmony
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1995
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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