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THE DARKEST CHILD

Good intentions, but overwrought.

A grim tale, set in the dying days of segregation, about one young woman’s struggle to escape her past, her mother, and her duties.

Phillips writes vividly and certainly creates memorable characters—most of them, however, remembered for their nastiness, there being an absence of redeeming features. The blacks who live in Pakersfield, Georgia, are almost as nasty as the whites, who are all racist, vicious hypocrites. Both races father illegitimate children, and while the older blacks fear confrontation, the younger want to act immediately. The story, told by Tangy Mae, begins as her mother Rozelle gives birth to her tenth child, Judy. All the children have different fathers, Tangy Mae the darkest, while Rozelle herself is the product of a white man who raped her mother. Rozelle, who takes center stage, is a monster whose treatment of her children reads like a charge sheet. Which is the novel’s fundamental weakness: Rozelle is beyond awful, disowned even by her mother, but the author offers no explanation for her cruelty. And as Tangy Mae, a bright student, struggles to stay in school, keep Rozelle happy, and care for her siblings, she records the horrors her mother inflicts on her children. She insists that all the money they earn, including that of her two grown up sons Sam and Harvey, be given to her; she forces daughters Tara and Mushy to work at a local whorehouse, and she beats them, burns them with cigarettes, insists they shoplift , and denies them proper education. While Rozelle becomes even more out of control, a young black activist is hanged, and Sam and his angry cohorts burn down white stores, with inevitable repercussions. The most lethal damage, though, is till to come at the hands of Rozelle.

Good intentions, but overwrought.

Pub Date: Jan. 1, 2004

ISBN: 1-56947-345-5

Page Count: 400

Publisher: Soho

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2003

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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