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PRINCE EDWARD

A near-miss then, though well worth reading.

The growth of a southern white boy’s moral consciousness.

McFarland’s affecting but uneven fifth outing (after Singing Boy, 2000, etc.) is based on fact: the defiance of a 1959 Supreme Court order to integrate public schools, by Virginia’s Prince Edward County, whose white residents conspired to build a (private) “Foundation School” that would exclude black children. Our narrator, ten-year-old Ben Rome, observes this process and events related to it with mingled excitement, fear, and guilt. He’s concerned for his black friend Burghardt, son of the Romes’ “tenant” Julius, who shares Ben’s chores on the Rome egg farm. Ben labors to understand his father’s ingrained racism, his mother’s emotional instability, the resentments nurtured by his adult brother Al and married (and pregnant) sister Lainie—and also the nature of the threat posed by his prosperous grandfather Daddy Cary, “an enormous bullying man” whose teasing of both Ben and Burghardt takes uncomfortably intimate form. Ben’s habit of “spying” on inexplicable adult behavior leads him to empathize with Burghardt’s elderly Granny Mays, whose commitment to educate herself and her own arouses her neighbors’ antipathy—and to eavesdrop on the violent scene that effectively ends Daddy Cary’s reign of terror, though the lessons Ben learns from this traumatic incident are neither fully understood by him nor spelt out by McFarland. Prince Edward is earnest and compassionate, told in a hushed lyrical voice that’s often reminiscent of To Kill a Mockingbird; Ben is also an appealing protagonist indeed, and several of the other characters here are quite credibly complex. But McFarland diffuses his effects by layering in undramatized chunks of explanatory historical material—as if the adult Ben, looking backward, is composing a research paper rather than reliving his own perfectly lucid and revelatory experiences.

A near-miss then, though well worth reading.

Pub Date: May 5, 2004

ISBN: 0-8050-6833-3

Page Count: 368

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2004

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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