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FINBAR'S HOTEL

Seven Irish novelists—Joseph O’Connor, Anne Enright, Colm To°b°n, Roddy Doyle, Jennifer Johnston, Hugo Hamilton, and Bolger himself—collaborate, with generally good and at times outstanding results, to tell a tale of a single night in a once-famous, soon-to-be-demolished Dublin hotel. Each of the writers here brings to life a guest who occupies a room on the first floor. Room 101 provides novel entertainment for aging Ben, who’s never before been in a hotel. His walk on the wild side takes him in and out of his room, the bar, the residents’ lounge, and the nightclub, until finally his intervention in a curbside domestic dispute rewards him with a bloody nose. For sisters Rose and Ivy in 102, it’s a rare meeting, requested by matronly Ivy in order to persuade her London-based sibling to come home to see their mother’something Rose has refused to do since leaving home at age 17. Ken walks into 103 with a ghetto-blaster and a plot to get his revenge on the woman who jilted him. The stories from 104 and 105 are easily the most striking: the former involves the hotel manager and the history of Finbar’s, which achieved its success partly through the famous discretion of the founder, the grandfather of the man in 104; the woman in 105 is dying of cancer, but by chance meets an Irish-Jewish tour guide from New York, who gives her the courage to tell her husband and children her sad secret. Peopling other tales are a woman over from America to settle her father’s estate (and her memory of a teenage romance), and a burglar trying to sell a Rembrandt and other paintings that represent the heist of his life. More than a curiosity, but less than a masterwork: a collection that holds together surprisingly well given that each story is ultimately self-contained.

Pub Date: March 17, 1999

ISBN: 0-15-600633-2

Page Count: 288

Publisher: Harvest/Houghton Mifflin Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1999

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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