In rich, lyrical prose, McKinney deftly honors both the man and the mystery.

THE MAN WHO SAW A GHOST

THE LIFE AND WORK OF HENRY FONDA

The story of a great American actor whose art was burnished by an anguished life.

For McKinney (Magic Circles: The Beatles in Dream and History, 2003), Henry Fonda (1905–1982) is very much a mystery: an affable common man on screen whose piercing blue eyes suggested dark depths. It was a face of wisdom and pain, which is why no one else has ever played Abraham Lincoln with so much quiet conviction. Fonda knew suffering, and he was the cause of suffering in others. He saw death up close—as a youth in Nebraska (where he witnessed a mob take over a local jail and lynch a black man) and as a soldier in World War II and in the suicide of his wife, Frances, a wealthy heiress who finally wearied of the demands of being Mrs. Henry Fonda. (A third wife, Susan Blanchard, would also divorce him for “extreme mental cruelty.”) Though well liked as an actor, he was chilly and distant as a husband and an apparent controlling terror to children Peter and Jane. He may not have liked himself that much either, as there were possible suicide attempts of his own. Through it all, Fonda greeted every struggle with either stoic Christian Science hardiness or dogged denial, plunging into work to keep from dealing with the domestic turmoil. The face said it all. No one ever had a problem believing him as an actor. “Fonda’s fate all along, his curse and his cure, has been to become the thing that haunts him,” writes the author in this excellent work of biography.

In rich, lyrical prose, McKinney deftly honors both the man and the mystery.

Pub Date: Oct. 2, 2012

ISBN: 978-1-250-00841-1

Page Count: 448

Publisher: St. Martin's

Review Posted Online: July 14, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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