A high-concept but uneven genre combo.
Monk (Magic Without Mercy, 2012, etc.) delivers the second installment in her genre-blending Age of Steam series.
Following 2011’s Dead Iron, Monk here delivers an amalgamation of science fiction and fantasy genre elements, told in an alternately hard-boiled and folksy tone. Lycanthrope Cedar Hunt travels on the Old West frontier with, among others, a witch, Hunt’s werewolf brother and engineers specializing in steampunk-style tech, on a quest to find the Holder, a mysterious and powerful weapon. Soon after finding a town inundated by the supernatural creatures known as the Strange, Hunt and company are rescued by the airship Swift. Capt. Hink, who leads the Swift’s crew, wants the Holder as well, and another airship is hot on their trail. The novel is almost a sci-fi/fantasy Mad Lib—a Western-fantasy-steampunk-horror mashup attempting to draw together disparate elements of very different genres. Of all the elements on display, Monk leans most heavily on the supernatural and magical aspects. (She is also the author of the magic-oriented Allie Beckstrom urban-fantasy series.) At times, however, it feels as if the author is throwing together too many things at once; the mere fact that she combines so many different genres means that some are bound to get short shrift. Though there’s plenty of airship action, the steampunk-ish components can feel a bit tacked on and may not satisfy some hard-core steampunk aficionados. Also, for a novel that genre-crunches with such abandon, the story is a grim and serious affair, with relatively little humor. That said, readers of magic-based fantasy and fans of offbeat Westerns may find things to like.
A high-concept but uneven genre combo.Pub Date: July 3, 2012
ISBN: 978-0-451-46453-8
Page Count: 384
Publisher: ROC/Penguin
Review Posted Online: June 30, 2012
Kirkus Reviews Issue: July 15, 2012
Remarkable, revelatory and not to be missed.
Strange and fascinating alien-contact yarn, the first of a trilogy from China’s most celebrated science-fiction author.
In 1967, at the height of the Cultural Revolution, young physicist Ye Wenjie helplessly watches as fanatical Red Guards beat her father to death. She ends up in a remote re-education (i.e. forced labor) camp not far from an imposing, top secret military installation called Red Coast Base. Eventually, Ye comes to work at Red Coast as a lowly technician, but what really goes on there? Weapons research, certainly, but is it also listening for signals from space—maybe even signaling in return? Another thread picks up the story 40 years later, when nanomaterials researcher Wang Miao and thuggish but perceptive policeman Shi Qiang, summoned by a top-secret international (!) military commission, learn of a war so secret and mysterious that the military officers will give no details. Of more immediate concern is a series of inexplicable deaths, all prominent scientists, including the suicide of Yang Dong, the physicist daughter of Ye Wenjie; the scientists were involved with the shadowy group Frontiers of Science. Wang agrees to join the group and investigate and soon must confront events that seem to defy the laws of physics. He also logs on to a highly sophisticated virtual reality game called “Three Body,” set on a planet whose unpredictable and often deadly environment alternates between Stable times and Chaotic times. And he meets Ye Wenjie, rehabilitated and now a retired professor. Ye begins to tell Wang what happened more than 40 years ago. Jaw-dropping revelations build to a stunning conclusion. In concept and development, it resembles top-notch Arthur C. Clarke or Larry Niven but with a perspective—plots, mysteries, conspiracies, murders, revelations and all—embedded in a culture and politic dramatically unfamiliar to most readers in the West, conveniently illuminated with footnotes courtesy of translator Liu.
Remarkable, revelatory and not to be missed.Pub Date: Nov. 11, 2014
ISBN: 978-0-7653-7706-7
Page Count: 400
Publisher: Tor
Review Posted Online: Oct. 4, 2014
Kirkus Reviews Issue: Oct. 15, 2014
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
One small step, no giant leaps.
Weir (The Martian, 2014) returns with another off-world tale, this time set on a lunar colony several decades in the future.
Jasmine “Jazz” Bashara is a 20-something deliveryperson, or “porter,” whose welder father brought her up on Artemis, a small multidomed city on Earth’s moon. She has dreams of becoming a member of the Extravehicular Activity Guild so she’ll be able to get better work, such as leading tours on the moon’s surface, and pay off a substantial personal debt. For now, though, she has a thriving side business procuring low-end black-market items to people in the colony. One of her best customers is Trond Landvik, a wealthy businessman who, one day, offers her a lucrative deal to sabotage some of Sanchez Aluminum’s automated lunar-mining equipment. Jazz agrees and comes up with a complicated scheme that involves an extended outing on the lunar surface. Things don’t go as planned, though, and afterward, she finds Landvik murdered. Soon, Jazz is in the middle of a conspiracy involving a Brazilian crime syndicate and revolutionary technology. Only by teaming up with friends and family, including electronics scientist Martin Svoboda, EVA expert Dale Shapiro, and her father, will she be able to finish the job she started. Readers expecting The Martian’s smart math-and-science problem-solving will only find a smattering here, as when Jazz figures out how to ignite an acetylene torch during a moonwalk. Strip away the sci-fi trappings, though, and this is a by-the-numbers caper novel with predictable beats and little suspense. The worldbuilding is mostly bland and unimaginative (Artemis apartments are cramped; everyone uses smartphonelike “Gizmos”), although intriguing elements—such as the fact that space travel is controlled by Kenya instead of the United States or Russia—do show up occasionally. In the acknowledgements, Weir thanks six women, including his publisher and U.K. editor, “for helping me tackle the challenge of writing a female narrator”—as if women were an alien species. Even so, Jazz is given such forced lines as “I giggled like a little girl. Hey, I’m a girl, so I’m allowed.”
One small step, no giant leaps.Pub Date: Nov. 14, 2017
ISBN: 978-0-553-44812-2
Page Count: 320
Publisher: Crown
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 15, 2017
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
